DOI QR코드

DOI QR Code

서울 재수굿 무속복식의 의미 및 특징

Meanings and Characteristics of Seoul Jaesugut Shaman's Costumes

  • 서승희 (성균관대학교 의상학과) ;
  • 박정주 (성균관대학교 의상학과)
  • Suh, Seunghee (Dept. of Fashion Design, Sungkyunkwan University) ;
  • Park, Jeongju (Dept. of Fashion Design, Sungkyunkwan University)
  • 투고 : 2022.07.19
  • 심사 : 2022.09.22
  • 발행 : 2022.09.30

초록

The purpose of this study was to analyze the form and meaning of shaman's costumes worn by each gutgeori in Seoul jaesugut and to derive the characteristics of Shaman's costume at gutgeori. Observational research was conducted for three years by participating in the site of two types of gut, which are divided into local jaesugut for the well-being of the region and individual jaesugut that takes place based on personal request. Seoul jaesugut consists of 12 different gutgeori according to the deity it serves and meaning: Bujeongcheongbae, Gamangcheongbae, Bulsageori, Sangeori, Josanggeori, Sangsangeori, Byulsanggeori, Sinjanggeori, Daegamgeori, Seongjugeori, Changbugeori, and Duitjeon. The shape and colour of the shaman's costume worn in each gutgeori are related to the meaning of the gutgeori. Followings are the characteristics of the shaman's costume from gutgeori. First, shaman's costume adopted traditional costumes that symbolized the characteristics of god represented in each gutgeori. Second, gutgeori consists of multiple gods, and shaman's costumes were adopt to represent the superior god among these gods. Third, sometimes the costumes were adopted according to the characteristic of the god instead of its divinity. Fourth, even if the gods were different, if the roles of the gods were the same, the same form of shaman's costume could be taken. Fifth, the process of gut showed the harmony of yin and yang using the principle of five elements through the colour of shaman's costume.

키워드

참고문헌

  1. Byulsanggeori. (n.d.). [Photograph]. The Academy of Korean Studies. Retrieved from http://waks.aks.ac.kr/viewer/imageMusok.aspx?type=picture&dataID=AKS-2012-EBZ-4101_DES@Seoulsi02_L00_CLO&imgFname=Seoulsi02_L00_CLO_image_030.jpg
  2. Cheollik. (n.d.). [Photograph]. National Palace Museum of Korea. Retrieved from https://www.gogung.go.kr/searchView.do?pageIndex=1&cultureSeq=00019852RO&searchRelicDiv4=&searchGubun=ALL1&searchText=
  3. Cho, Y. (2006). Study on the aesthetics of Korean traditional color based on the Yin Yang and five elements: Focus on the five colors of the five directions (Unpublished master's thesis). Hongik University, Seoul, Korea.
  4. Danryeong. (n.d.). [Photograph]. Dankook University Seokjuseon Memorial Museum. Retrieved from https://museum.dankook.ac.kr/web/museum/-15?p_p_id=Relic_WAR_museumportlet&p_p_lifecycle=0&p_p_state=normal&p_p_mode=view&p_p_col_id=column-2&p_p_col_count=1&_Relic_WAR_museumportlet_RELIC_NB=B002056&_Relic_WAR_museumportlet_orderBy=name&_Relic_WAR_museumportlet_curPage=0&_Relic_WAR_museumportlet_action=view_message&_Relic_WAR_museumportlet_sKeyword=%EB%8B%A8%EB%A0%B9
  5. Dongdari. (n.d.). [Photograph]. Dankook University Seokjuseon Memorial Museum. Retrieved from https://museum.dankook.ac.kr/web/museum/-15?p_p_id=Relic_WAR_museumportlet&p_p_lifecycle=0&p_p_state=normal&p_p_mode=view&p_p_col_id=column-2&p_p_col_count=1&_Relic_WAR_museumportlet_RELIC_NB=B000819&_Relic_WAR_museumportlet_orderBy=name&_Relic_WAR_museumportlet_curPage=0&_Relic_WAR_museumportlet_action=view_message&_Relic_WAR_museumportlet_sKeyword=%EB%8F%99%EB%8B%A4%EB%A6%AC
  6. Durumagi. (n.d.). [Photograph]. National Palace Museum of Korea. Retrieved from https://www.gogung.go.kr/searchView.do?pageIndex=1&cultureSeq=835LJE&searchRelicDiv4=&searchGubun=ALL1&searchText=
  7. Hong, T. (2017). The origin and course of obangsinjanggi. Asian Comparative Folklore, (63), 9-31.
  8. Hong, T. (2009a). Consideration of shamanist custom culture through seoul gut. Journal of Korean Classical Literature, (35), 65-101. doi:10.17838/korcla.2009. .35.003
  9. Hong, T. (2009b). The character and meaning of byeolsang, byeolseong in Seoul-gut. Asian Comparative Folklore, (39), 493-515.
  10. Hong, T. (2005). The study on the meaning of Kamang. Korean Folklore, 41, 507-531.
  11. Hong, T. (2003). The distinction between the spirtistic shamans and the heredity shamans. Korean Shamanism, (7), 33-50.
  12. Jangsam and Kasaya. (n.d.). [Drawing]. Encyclopedia of Korean Folk Culture. Retrieved from https://folkency.nfm.go.kr/kr/topic/detail/7088
  13. Jeon, Y. (2008). Role of traditional colors in Korean shamanism: in focus of five main colors blue.red.yellow.white.black (Unpublished master's thesis). Catholic University, Incheon, Korea.
  14. Jeonbok. (n.d.). [Photograph]. National Palace Museum of Korea. Retrieved from https://www.gogung.go.kr/searchView.do?pageIndex=1&cultureSeq=00020376WK&searchRelicDiv4=&searchGubun=ALL1&searchText=
  15. Kang, S. (2016). Development of Korean buddhist costume. Journal of A Study on History of Korean Buddhism, 10, 67-107.
  16. Kim, E. (2014). A study on the actual state of wearing of Korean shaman's costume -Focusing on the spiritual shaman in Seoul-. Namdo Folklore Research, (28), 7-28.
  17. Kim, E. (2002). Study of the transformation of Korean shaman's costume: Focusing on the spiritual shaman(gangsin-mu)'s po (Unpublished master's thesis). Chonnam National University, Gwangju, Korea.
  18. Kim, E., & Kim, Y. (2000). A study on symbolic significance of the Jaesuk-kori shaman's custom. Journal of the Korean Society of Costume, 50(3), 5-12.
  19. Kim, E., & Kim, Y. (2002). 강신무복의 전통성에 관한 연구 [A study on the traditionality of kangshin shaman costume]. Korean Shamanism, (4), 5-18.
  20. Kim, E., Yoon, E., & Ma, Y. (2015). A comparative study on shaman's costume mongdoori which gangsin-mu wear in Seoul and Kyunggi area in modern gutgeori. Journal of Korean Traditional Costume, 18(2), 111-123. doi:10.16885/jktc.2015.6.18.2.111
  21. Kim, E, J. (2003a). Consideration of shaman costume Jang-sam. Asian Comparative Folklore, 25, 545-564.
  22. Kim, E, J. (2003b). A study on the spiritual shaman(Gangsin-mu)'s po-in Seoul-gut shaman's costume. Journal of the Korean Home Economics Association, 41(9), 43-54.
  23. Kim, E, J. (2004). Research on Jangsam in buddhist priest's and shaman's costumes. Journal of the Korean Home Economics Association, 42(2), 151-160.
  24. Kim, E, J. (2007). Meaning of dresses of exorcism in regional folk festival. Journal of Society of Korean Thought and Culture, 40, 347-366.
  25. Kim, E. J., Ahn, M. S., & Yim, L. (2007). Meaning of dresses of exorcism in regional folk festival. Journal of Society of Korean Thought and Culture, 40, 347-366.
  26. Kim, H. (2006). 서울굿의 다양성과 구조 [The diversity and structure of Seoul Gut]. Korean Shamanism, (12), 7-117.
  27. Kim, S., & Jang, M. (2015). A study in shape alternation of the gusset of men's po in Joseon dynasty. Fashion and Knit, 13(2), 10-21. doi:10.35226/kskd.2015.13.2.10
  28. Kim, Y. (1998). 한국복식문화사전 [Dictionary of Korean Costume Culture]. Seoul: Misul Munhwa.
  29. Ko, B. (n.d.). Cheollik. Encyclopedia of Korean Folk Culture. Retrieved from https://folkency.nfm.go.kr/kr/topic/detail/2892
  30. Ko, J. (1999). Study of the colors represented by Korean traditional paintings: Based on five basic colors (Unpublished master's thesis). Chonnam National University, Gwangju, Korea.
  31. Kwon, O. S. (2002). A study on dongdari in the late of Joseon dynasty (Unpublished master's thesis). Dankook University, Yongin, Korea.
  32. Kwon, S. (2009). A study for the meaning of gun-ung god from Seoul-kut. Korean Shamanism, (19), 109-130.
  33. Lee, E. (2015). 조선시대 홍단령의 변천 [Changes in red Danryeong in the Joseon dynasty]. 한국복식, 33, 82-109.
  34. Lee, E. (2005). Development process of sibok and sangbok for officer in Joseon dynasty. Journal of the Korean Society of Costume. 55(6), 38-50.
  35. Lee, G. (2003). Examination for classifying 'Saesoupmu', 'Gangsinmu' through looking into 'Saesoupmu' example -Centering on the relationship between 'dangol' and 'fortuneteller' of Chollado-. Korean Shamanism, (7), 51-66.
  36. Lim, E. (1997). Study on the incantatory nature and symbolism of the Mushindo (Korean Shamanic painting) (Unpublished master's thesis). Kyunghee University, Seoul, Korea.
  37. Lim, H., & Cho, H. (2013). A study on the periodic characteristics of wonsam in the Joseon dynasty. Journal of the Korean Society of Costume, 63(2), 29-44. doi:10.7233/jksc.2013.63.2.029
  38. Moon, K. (2004). Study on dress codes and actural samples of "Dan-ryung" in the time of Chosun dynasty (Unpublished doctoral dissertation). Sejong University, Seoul, Korea.
  39. Na, S. (1995). A study on the symbolism of the colors in the saekdong (Unpublished master's thesis). Sungkyunkwan University, Seoul, Korea.
  40. National Palace Museum of Korea. (2013). The illustrated dictionary of the Joseon royal culture: Costume. Seoul: Human Culture Arirnag.
  41. National Research Institute of Cultural Heritage. (2017). Korean collection at the Museum fur Volkerkunde Hamburg, Germany (Catalogue of overseas Korean cultural heritage No.36). Daejun, Korea: National Research Institute of Cultural Heritage.
  42. Park, S. (n.d.). Jeonbok. Encyclopedia of Korean Folk Culture. Retrieved from https://folkency.nfm.go.kr/kr/topic/detail/2723
  43. Sangeori. (n.d.). [Photograph]. The Academy of Korean Studies. Retrieved from http://waks.aks.ac.kr/viewer/imageMusok.aspx?type=picture&dataID=AKS-2012-EBZ-4101_DES@Seoulsi02_L00_CLO&imgFname=Seoulsi02_L00_CLO_image_015.jpg
  44. Seongjuggeori. (n.d.). [Photograph]. The Academy of Korean Studies. Retrieved from http://waks.aks.ac.kr/viewer/imageMusok.aspx?type=picture&dataID=AKS-2012-EBZ-4101_DES@Seoulsi02_L00_CLO&imgFname=Seoulsi02_L00_CLO_image_044.jpg
  45. Shin, J. (2013). Study on the sociocultural symbolic meanings of Korean and Chinese five colors: Focusing on the red (Unpublished master's thesis). Hankuk University of Foreign Studies, Seoul, Korea.
  46. Sim, S. (2018). The study on the divinity of Korean shamanism 1. The Research of Performance Art and Culture, (36), 365-414. doi:10.35150/korear.2018..36.011
  47. Soh, H. (2003). On the role of Korean shaman's costume. Asian Comparative Folklore, 24, 227-265.
  48. Wonsam. (n.d.). [Photograph]. Dankook University Seokjuseon Memorial Museum. Retrieved from https://museum.dankook.ac.kr/web/museum/-15?p_p_id=Relic_WAR_museumportlet&p_p_lifecycle=0&p_p_state=normal&p_p_mode=view&p_p_col_id=column-2&p_p_col_count=1&_Relic_WAR_museumportlet_RELIC_NB=B000106&_Relic_WAR_museumportlet_orderBy=name&_Relic_WAR_museumportlet_curPage=0&_Relic_WAR_museumportlet_action=view_message&_Relic_WAR_museumportlet_sKeyword=%EC%9B%90%EC%82%BC
  49. Yang, M. (1997). A study on non-verbal communication of Korean shaman clothing. Journal of the Korean Society of Costume, 31, 5-16.
  50. Yeom, W. (2011). Study of in Seoul-gut (Unpublished doctoral dissertation). Kyunghee University, Seoul, Korea.
  51. You, K., Jung, J., Kim, Y., & Kim, H. (2021). Understanding qualitative research methods (2nd ed.). Seoul: Parkyoung Story.
  52. Yu, H. (2000). A study on the formative character of the Korean shaman's costume -Focusing on the Hong-Sung area, Choong-Nam-. Journal of the Korean Society of Costume, 50(6), 5-20.
  53. Yum, J. H. (2014). A study on the military costumes of five military camps in the late Joseon Dynasty (Unpublished doctoral dissertation). Sungkyunkwan University, Seoul, Korea.