Acknowledgement
이 논문은 2022년도 4단계 BK21사업에 의하여 지원되었음(관리 번호 4120200113771)
References
- Allen, S., & Agrest, D. (2000). Practice: Architecture, Technique and Representation. Amsterdam : G+B Arts International
- Alturk, E. (2008). Architectural representation as a medium of critical agencies. Journal of Architecture (London, England), 13(2), 133-152. https://doi.org/10.1080/13602360802023989
- Aureli, P. V., & Tattara, M. (2019). Paint a vulgar picture. On the relationship between images and projects in our work. Piano B. Arti E Culture Visive, 4(2), 31-46.
- Baek, W. (2022). A Study on the concept of expression in Coop Himmelb(l)au's architecture. Journal of the Architectural Institute of Korea-Planning & Design, 38(1), 99-108.
- Berry, D., & Dieter, M. (2015). Thinking Postdigital Aesthetics: Art, Computation and Design. In Postdigital Aesthetics. London: Palgrave Macmillan UK. 1-11.
- Cascone, K. (2000). The Aesthetics of Failure: "Post-Digital" Tendencies in Contemporary Computer Music. Computer Music Journal, 24(4), 12-18. https://doi.org/10.1162/014892600559489
- Chang, W. (2012). A study on the relation between Rem Koolhaas and 60, 70's Avant-gardes. Journal of the Architectural Institute of Korea - Planning & Design, 28(8), 149-160. https://doi.org/10.5659/JAIK_PD.2012.28.8.149
- Choi, J. (2021). Tasks of music education for Post-Digital era: Focusing on philosophical considerations about technology and art. Korean Music Education Society, 50(4), 175-197. https://doi.org/10.30775/KMES.50.4.175
- Clements, A. (2018). A Postdigital Future for Music Education: Definitions, Implications, and Questions. Action, Criticism, & Theory for Music Education, 17(1), 48-80. https://doi.org/10.22176/act17.1.48
- Cramer, F. (2015). What Is 'Post-digital'? In Postdigital Aesthetics. London: Palgrave Macmillan UK, 12-26.
- Dreamer, P. (1997). The Everyday and the Utopian. In Architecture of the Everyday. New York, Princeton Architectural Press, 195-218.
- Dufva, T. (2018). Art education in the post-digital era. Doctoral dissertation, Alto University.
- Jeon, Y., & Kim, K. (2003). A study on the Mies van der Rohe's cognition of technology. Journal of the Architectural Institute of Korea - Planning & Design, 19(9), 89-98.
- Kim, H. (2009). A Study on the architectural drawing of 1970-80s in design process and its implications for design. Journal of the Architectural Institute of Korea - Planning & Design, 25(6), 169-176.
- Kim, H., & Bae, H. (2006). A study on collage and contemporary architectural representation. Journal of architectural history: Korean Association of Architectural History. 15(2), 163-170.
- Kim, I. (2010). A study on the Drawing-ness in architecture Using the concepts of 'Framing' and 'Deframing'. Journal of the Architectural Institute of Korea-Planning & Design, 26(5), 81-92
- Kim, Z. (2019). Post-Convention of the architectural drawing in the Avant-gardes of the 1960s and 1970s. Korea Institute of Ecological Architecture and Environment, 9(5), 33-43.
- Ludovico, A. (2017) Post-Digital Print : The Mutation of Publishing Since 1894. (Lim, K.). Seoul, Mediabus.
- Menking, W. (2019). Superstudio as Super-office: The labour of radical design. Architectural Design. 89(4). 14-21. https://doi.org/10.1002/ad.2452
- Pauperio, J., & Rebelo, M. (2020). Collages, History or ready-mades On the politics of representation in the age of neoliberalism. Piano B, 4(2), 39-60.
- Stierli, M. (2013). Montage and the Metropolis : Architecture, Modernity, and the Representation of Space. Yale University Press, New Haven and London
- Wehmeyer, S. (2021). Collage-based research and design. Dimensions. Journal of Architectural Knowledge, 1(1), 25-36.