DOI QR코드

DOI QR Code

Fashion accessory bag design apply to paper-folding technique of twelve zodiac

십이지(十二支) 동물의 종이접기 기법을 응용한 가방 디자인

  • Xu, MingZhe (Dept. of Clothing & Textiles, Hanyang University) ;
  • Oh, Yujin (Dept. of Clothing & Textiles, Hanyang University) ;
  • Lee, Younhee (Major in Human-Tech Convergence, Dept. of Clothing & Textiles, Hanyang University)
  • 서명철 (한양대학교 의류학과) ;
  • 오유진 (한양대학교 의류학과) ;
  • 이연희 (한양대학교 의류학과 휴먼테크융합전공)
  • Received : 2022.01.28
  • Accepted : 2022.05.13
  • Published : 2022.06.30

Abstract

The purpose of this study is to attempt to diversify artistic expression through combinations of the twelve zodiac animals and origami techniques and to propose new directions for fashion design by applying these to fashion accessory bag designs. For the research method, this study researched the representative forms and characteristics of twelve zodiac animals based on the cultural background. Also, diverse cases of origami techniques were sought to apply them to the development of bags. The results are as follows. First, expressed forms of the Chinese zodiac were newly expanded by realizing the form of Chinese zodiac animals through various origami techniques. Origami work displays abstract visual effects rather than intuitive feelings or expressions of flat designs. With this, detailed realizations could be made through the characteristics and cultural implications of animals. Second, the work created in this study utilized zero-waste patterns that use origami techniques on one whole piece. During pattern production, folded parts were marked without waste and the outer fabric and lining were produced. Patterns were all symmetrical lines so most forms were expressed with squares and equilateral triangles. Third, through actual work produced using fabric instead of paper, effects that are brought about through folding are determined in diverse ways according to fabric textures or material types and thicknesses. When paper is folded, shapes are created as folded, but fabric requires the use of supportive material to create the effects of origami. Polyester and blended fabric were easy to use with high levels of function and practicality. Through such diverse production attempts, fixing methods, hand sewing, sewing machines, double-sided tape, and leather adhesive were used.

Keywords

References

  1. 김만태. (2011). 민속신앙을 읽는 부호 십간십이지(十干十二支)에 대한 근원적 고찰, 민족문화연구, (54), 259-302. https://doi.org/10.17948/KCS.2018..81.259
  2. 김숙현, 김혜연. (2018). 종이접기의 조형미를 적용한 제로 웨이스트 패션디자인 연구, 한국패션디자인학회지, 18(1), 137-155.
  3. 나혁진, 김기승. (2020). 십간십이지의 기원에 관한 문헌적 고찰, 산업진흥연구, 5(1), 117-124. https://doi.org/10.21186/IPR.2020.5.1.117
  4. 네이버 지식백과, (n.d.). 십이지, 자료검색일 2021. 12. 15, 자료출처 https://terms.naver.com/entry.naver? docId=937203&cid=43667&categoryId=43667
  5. 왕흠. (2020). 종이접기 기법을 이용한 원형 패턴의 패션디자인 연구. 동명대학교 대학원 석사학위논문.
  6. 위키백과. 종이접기. 자료검색일 2021. 12. 15, 자료출처 https://ko.wikipedia.org/wiki/%EC%A2%85%EC %9D%B4%EC%A0%91%EA%B8%B0
  7. 이옥화. (2020). 음양오행사상의 십이지생초와 십이지띠에 관한 연구. 한국문화융합학회, 42(5), 479-508.
  8. 이호준. (2019). 종이접기의 의의와 조각적 대중화 - 본인 작품을 중심으로. 홍익대학교 대학원 석사학위논문.
  9. Bai, W. (2011). Paper on the Creative Application of Modern and Research. Unpublished master's thesis, Dalian Polytechnic University.
  10. baike.baidu.com. Ryujin3.5 - Origami by Kamiya Satoshi of Japan. 자료검색일 2020. 10. 26, 자료출처 https://baike.baidu.com/item/%E9%BE%99%E7%A5 %9E/8666409
  11. Committee on Compilation of Books. (2010). Five Thousand Years of Great China-Chinese Zodiac Culture. BeiJing: Foreign Languages Press.
  12. Fang, C. (2018). The Application Research of the Chinese Zodiac Pattern on Leisure Men's Wear Design. Unpublished master's thesis, Xi'an Polytechnic University.
  13. flickr.com. (n.d.). Origami Animals, Hoang Tien Quyet. 자료검색일 2020. 10. 26, 자료출처 https://www.flickr.com/photos/ori_q/
  14. flickr.com. (n.d.). Stella diamante 2-Diamond Star 2, Francesco Guarnieri. 자료검색일 2020. 10. 26, 자료출처 https://www.flickr.com/photos/f_guarnieri/7031398767/
  15. flickr.com. (n.d.). Flower kusudama, Natalia Romanenko. 자료검색일 2020. 10. 26, 자료출처 https://www.flickr.com/photos/69334004@N05/7393683274
  16. Gong, Y. (2015). Application Research of Children's Visual Perception Regularity in Origami Design. Soochow University. Unpublished master's thesis.
  17. He, X. (2007). Totem and Chinese culture. Jiangsu: Jiangsu People's Publishing House.
  18. Huang, P. (2015). The Design and Application of the Technique of Fabric Folded Used in Women Clothes. Unpublished master's thesis, Soochow University.
  19. Hu, Y. (2019). Study on the Image of Mythical Beasts in the Stone Portrait of Han Dynasty in Xuzhou. Unpublished master's thesis, Nanjing University.
  20. Japan PinBu Communications Agency Compile. (2010). Folded Paper Complete(Part I). Zhengzhou: Henan Science and Technology Press.
  21. julewaibel.com. (n.d.). Unfolded Men, Jule Waibe. 자료검색일 2020. 10. 24, 자료출처 https://www.julewaibel.com/project_subtype/unfolded-men-5-90--.html
  22. Li, X. (2006). The Essence of Chinese and Foreign Art, Chinese Handicrafts. Changchun: Jilin Literature and History Publishing House,
  23. Li, X., & Li, M. (2018). A Review of Origami and Its Crease Design. Chinese Journal of Theoretical and Appliced Mechanics, 3(50), 468-470.
  24. Liu, D., Wang, J., & Chen, P. (2007). Researches on the Design of cultural features of twelve symbolic animals. New West, (10), 201-270.
  25. marteeparaosfracos.blogspot.com. Artist uses Modular Origami technique to create beautiful animals. 자료검색일 2020. 10. 29, 자료출처 http://marteeparaosfracos.blogspot.com/2014/12/artista-usa-tecnica-de-origami-modular.html?m=1
  26. normann-copenhagen.com. (n.d.). "'DAILY COLLECTION', STICKY NOTES BOOK MULTI". 자료검색일 2020. 10. 24, 자료출처 https://www.normann-copenhagen.com/en/Search?q=%E2%80%98Daily+Collection%E2%80%99%2C+Sticky+Notes+Book+Multi
  27. organicorigami.com. (n.d.). Pieces from the 8th Annual Sanchez Art Center 50|50 Show(2016). Goran Konjevd. 자료검색일 2020. 10. 27, 자료출처, https://organicorigami.com/gallery/50-50-2016/
  28. Rick Bitch, (2007). Folded Paper Complete Works, (Trans. Zhang Zhouna). Harbin: Heilongjiang Science and Technology Publishing House.
  29. Sun, X. (2015). From Paper to Soil - Application of Folding Paper Effect in Ceramic Modeling Art. Unpublished master's thesis, Nanjing University of the Arts.
  30. Wang, Y. (2010). Chinese zodiac culture. Beijing: Foreign Languages Press, 09.
  31. Wang, Y. (2007). World Totem Culture in China. Current Affairs Press.
  32. Wang, L. (2014). The Art Of Chinese Zodiac. Unpublished master's thesis, Qingdao University of Science & Technology.
  33. Webster's New World Dictionary. (1988). Cleveland & New York: The World Publishing Company.
  34. wikipedia.org. (n.d.). Akira Yoshizawa. 자료검색일 2020. 9. 3, 자료출처 https://en.wikipedia.org/wiki/Akira_Yoshizawa
  35. wikipedia.org. (n.d.). 摺紙步驟圖. 자료검색일 2020. 10. 21, 자료출처 https://zh.wikipedia.org/wiki/摺紙步驟圖
  36. Wu, Y.(2010). Chinese Zodiac. China International Broadcasting Press,
  37. Wu, X. (2017). Zodiac Graphic Redesign and Applied Research. Unpublished master's thesis, Hongqing University.
  38. Xiu, J. (2019). Research of the Application of Origami Form Elements in Product Modeling Design. Unpublished master's thesis, Jilin University.
  39. Xu, Y. (2018). Chinese Zodiac Visual Image Design Reserch. Unpublished master's thesis, Anhui Polytechnic University.
  40. Yang, F. (2015). Chinese Zodiac Elements in the Application of Graphic Design. Unpublished master's thesis, Henan University.
  41. Yue, W. (2018). The Research of Folding Elements Application in Multi- Wear Design. Unpublished master's thesis, Beijing Institute Of Fashion Technology.
  42. Zhang, H. (2018). Taoism's 28 Constellations' Image Research and Creative Design Practice. Unpublished master's thesis, Sichuan Normal University.
  43. Zhang, T. (2014). Research on the Application of Origami Technique in Little Dress. Unpublished master's thesis, Jiangnan University.
  44. Zhao, B. (2013). Chinese Zodiac. China Meteorological Press.
  45. zhidiy.com. (n.d.). '비전천우학절형[秘传千羽鶴折形]' 영인판. 자료검색일 2020. 10. 22, 자료출처 https://www.zhidiy.com/zhezhirumen/23/
  46. Zhou, X. (2013). Original Belief: Totem Worship in the Book of 'Legends of Mountains and Seas(山海经)'. Journal of Heilongjiang college of Education, 32(11), 130-131. https://doi.org/10.3969/j.issn.1001-7836.2013.11.058