DOI QR코드

DOI QR Code

Seungmu's Research Trends and Project : For Papers Published in Domestic Academic Journals from 1978 to 2021

승무의 연구 동향과 과제 : 1978년~2021년 국내 전문학술지 논문을 중심으로

  • Choi, Seok-Kwon (Dept. of Global Cultural Contents, Major of Convergence Arts Contents, Sangmyung University)
  • 최석권 (상명대학교 글로벌문화콘텐츠학과 융합예술콘텐츠전공)
  • Received : 2022.04.01
  • Accepted : 2022.05.20
  • Published : 2022.05.28

Abstract

This study analyzed the Seungmu research trends published in domestic academic journals from 1978 to 2021. Seungmu, a traditional Korean dance, has been handed down for a long time and has established itself as a traditional dance representing Korea. I think that the trend analysis of Seungmu Dance can present basic data that can solidify the succession, preservation and development of Seungmu Dance, a sustainable traditional cultural heritage. I think that the trend analysis of Seungmu dance is a meaningful process that lays the foundation for the vitalization and popularization of Korean traditional dance.

본 연구는 1978년에서 2021년 국내 학술지에 수록된 승무 연구동향을 분석 하였다. 한국 전통춤 승무는 우리 민족생활의 변화와 함께하며 한민족의 얼과 기술적인 가치를 지닌 민초들의 생활상을 반영하는 예술이다. 승무는 유구한 세월동안 전승되었으며 우리나라를 대표하는 전통춤으로 자리잡았다. 학술적인 부분에서도 수많은 양질의 연구논문들이 많이 보고되었다. 승무 춤의 동향분석은 지속 가능한 전통문화 유산인 승무 춤의 계승과 보존 발전을 공고히 할 수 있는 기초자료를 제시 할 수 있을 것이라 생각하며, 아울러 다양한 승무 춤 관련 선행연구들을 정리해보는 과정으로 한국 전통춤의 활성화 및 대중화에 기초를 닦는 의미 있는 과정이라 생각한다.

Keywords

References

  1. S. J. Lee. (1978). A comparative study on the history and the form of Kyunghyang Seung Moo and Honam Seung Moo. Korean journal of physical education. 17, 95-116.
  2. Y. S. Han. (1978). A Study on Modern Seungmu. Sejong University Proceedings. Seoul: Sejong University.
  3. Y. J. Park. (1982). A Study on the Esthetic Buddhist Dance. Research Bulletin, 25(1), 179-198.
  4. J. H. Park. (1985). A Study of Han Young-suk's Buddhist Dance -To Find the Best Method of Transmission in Folkdance, Journal of Korean Dance, 4, 123-150.
  5. I. S. Lee. (1988). A Study on Modernization of Traditional Dance. Proceedings, 10, 639-652.
  6. N. Y. Lee. (1993). Seungmu Technique. Journal of Korean Dance, 11, 17-41.
  7. A. J. Lee. (1995). A study on the structure of seungmu and dance moves. The Korean Folklore, 27(1), 283-313.
  8. A. J. Lee. (1996). A study on the Origins of Seungmu. Korean Journal of History of Physical Education, Sport And Dance, 1(1), 65-73.
  9. Y. H. Han. (1995). Subject Study for the Structural Characteristic of Han, Young-Sook's Buddhist Dance. Yongin University Proceedings. Gyeonggido: Yongin University
  10. Y. J. Park & H. E. Kim. (1998). The Study on the trend of Transmission of "Seungmoo" - Centering Around "Seungmoo" by Han, Young-sook and Lee, Mae-bang- . Humanities Research, 1, 125-135.
  11. K. S. Hwang & J. M. J. (2000). A Relationship between seungmu and Buddhist Ritual Dance. Korean Journal of physical education, 39(4), 1080-1086.
  12. J. M. Byun. (2000). A Study on representation of Flower Work in Seungmu. Korea Floral Art Research Association, 2, 128-152.
  13. H. S. Im. (2001). Study on the characteristics of the Hwaseong Performers Group's dance -Focused on Lee Dong-ahn. Journal of Korean Dance, 19. 1-23.
  14. H. S. Baek. (2002). A Study on Dance Motions and Techniques of Sung-Mu - Focusing on Lee Mae-bang, Important Intangible Cultural Property No. 27. Korean Journal of Physical Education. 41(2), 487-498.
  15. H. S. Baek. (2002). A Study on Seung Moo's Dance Thoughts - Focusing on Honam Seung Moo. The Korean Journal of Dance, 32, 57-85.
  16. S. J. Oh. (2002). Transitional Accommodation of Buddhist Dance According to Historical Viewpoints. Korean Journal of Physical Education, 41(1), 3-12.
  17. J. S. Moon. (2003). A Study on the Kyobangjungjae of Kyobanggayo. Journal of National Culture, 27, 321-340.
  18. C. D. Choi. (2003). Lee Mae-bang Seungmu's drum play rhythm and Janggu accompaniment rhythm transcription. Graduate Thesis. Gyeonggido: Gyeonggi University.
  19. J. H. Kim. (2004). An Application of the Yin Yang and Five Elements Theory to 「Seung-Moo」 Movement Analysis. The Korean Journal of Dance Studies, 13, 27-49.
  20. S. B.Kang. (2004). Analysis of Korean Dance in Terms of the LMA. The Journal of DSDH, 6, 1-29.
  21. D. S. Huh. (2005). The Structural Comparison of Seungmu as a Regional Court Dance and Jung-gwajang(Buddhist monk Sequence) in Korean Mask Play. Philosophy of Movement, 13(1), 159-177.
  22. W. M. Park, J. I. Go & Y. S. Kim. (2006). Recording of intangible cultural assets using motion capture. Seoul: National Cultural Heritage Research Institute.
  23. M. Y. Lee. (2006). Emotion and Aesthetic Sense in Lee Mae-bang's "Seungmu" Movements. The Korean Journal of Dance, 49, 259-281.
  24. E. S. Kim. (2007). A comparative study on motions of Buddhist dances of Kyunggi and Honam Province. Journal of Korean Dance History, 6, 119-147.
  25. C. Y. Chang. (2007). A Study on the Manipulation of Movement Their of Monk Dance for the Choreography of "The Old Pot". The Korean Journal of Dance, 53, 197-213.
  26. H. S. Baek, Y. S. Lee, M. S. Kang, H. N. Kim & H. J. Kim. (2007). Thought on Korean Traditional Dance of Han Sung Jun-Buddhist Dance. Journal of Korean Dance, 25(1), 75-96.
  27. H. N. Cho. (2007). The report on recreation of tradition through the modernism of Seungmoo. The Korean Journal of Dance, 52, 343-364.
  28. J. S. Lee. (2007). A Kinematic Analysis of Seungmu Yeonpungdae. Korean Journal of Sport Science, 18(1), 30-38. https://doi.org/10.24985/kjss.2007.18.1.30
  29. K. H. Ko & Y. K. Ahn. (2007). Study on the Sublime as an Aesthetical Characteristic of 'Seungmu'. Philosophy of Movement, 15(1), 221-238. UCI : G704-001458.2007.15.1.013
  30. S. H. Min. (2008). A semiotic approach to seungmu (Buddhist dance) -Focus on the Yeumboolgoajang-. Korean Journal of Physical Education, 47(6), 609-620.
  31. S. H. Kim. (2009). Reflection of Aesthetic Quality through Dance Motion Analysis of Shim Hwayeong "Buddhist Dance". The Korean Journal of Dance, 59, 21-35. UCI : G704-000824.2009.59.59.014
  32. K. S. Kim. (2009). The Intrinsic Logic in the Teaching Methods and Contents of Seungmu. The Korean Journal of Dance, 61, 25-42. UCI : G704-000824.2009.61.61.001 https://doi.org/10.16877/kjds.27.27.200908.25
  33. K. S. Kim. (2009). A Study on the Characteristics of Chun-Heung Kim's Seungmu: Focusing on Dance Movement. The Journal of DSDH, 53, 95-111. DOI : 10.26861/sddh.2019.53.95
  34. K. S. Sung. (2009). A study of "Lee Mae-Bang"-virtuosos of Honam. Journal of Korean Dance, 27(2), 1-26. https://doi.org/10.16877/kjds.27.27.200908.1
  35. J. K. Mun & J. H. Kim. (2010). A Study on the Restoration of Jeolla Samhyeon Seungmu. Journal of Sport and Leisure Studies, 40, 69-81. DOI : 10.51979/KSSLS.2010.05.40.69
  36. J. E. Yang. (2010). Comparison of stylistic characters between a Buddhist dance and Water Sleeve dance. Journal of Korean Dance, 28(1), 119-142. DOI : 10.15726/jkd.2010.28.1.005
  37. M. K. Park & J. S. Moon. (2011). Beauty of rhythm immanent in Korean dance. Philosophy of Movement, 19(2), 271-284. UCI : G704-001458.2011.19.2.014
  38. J. W. Kim. (2011). Study on the Legacy of Traditional Honam Choreography -Via Han Jin-ok and Lee Mae-bang. Performance culture research, 22, 157-183. DOI : 10.35150/korear.2011..22.006
  39. S. S. Jeong. (2011). Study on Genealogical Character of Buddhist Dances of Hang Yeon Suk and Lee Mae Bang. Performance culture research, 23, 185-212. DOI : 10.35150/korear.2011..23.006
  40. O. S. Kim. (2011). Movement Analytical Interpretation on the invocation part(2st section) of Buddhist Dance under the View Point of Toigye's Four-Seven Debates. Journal of Korean Dance History, 12, 99-128. UCI : G704-SER000002245.2011..12.001
  41. J. K. Mun. (2011). Regarding the significance and characteristics of the restoration of Jeolla Samhyeon Seungmu. Institute of Martial Arts Yongin University, 22(2), 161-173.
  42. S. U. Son. (2011). A Studuy on the Characteristics of Dance Movements of Jang hong-sim School's Bara Buddhist Dance. The Korean Association of Dance, 11(1), 11-22. https://www.earticle.net/Article/A145987
  43. K. A. Hong, H. S. Kim & M. G. Lee. (2011). Comparison of joint angle, angular velocity, and EMG activity of wrist during Seungmu 'Joa-u-chigi' according to skill level and style of dance. Korean Association for Physical Education, 20(2), 913-925.
  44. K. A. Hong, H. S. Kim & M. G. Lee. (2013). Comparison of joint angle, angular velocity, and EMG activity of shoulder during Seungmu 'Joa-u-chigi' according to skill level and style of dance. Korean Association for Physical Education, 22(6), 1259-1271.
  45. M. Y. Lee. (2012). The characteristics of Seungmu considering Taoism. The Korean Journal of Dance, 70(1), 223-243. UCI : G704-000824.2012.70.1.012
  46. J. H. Lee & H. S. Yang. (2014). A Study of relationship between Soon Seo Han's the Buddhist Dance and Rhythm. The Korean Journal of Dance Studies, 51(6), 107-120. DOI : 10.16877/kjds.51.6.201411.107
  47. H. C. Moon. (2015). A Study on Transmission of Lee, Mae Bang Style Seung-mu. Korean Dance and Science and Technology, 11(2), 145-162. UCI : G704-SER000014875.2015.11.2.004
  48. J. Y. Moon. (2015). Maebang Lee and His Dance. Korean Dance and Science and Technology, 11(4), 9-36. UCI : G704-SER000014875.2015.11.4.002
  49. K. S. Kim. (2015). A Study of Characteristics of Dangak Movements of the Buddhist Dance in Han Yeongsuk's Style. The Journal of DSDH, 38, 57-73. UCI : G704-001637.2015.38..007 https://doi.org/10.26861/sddh.2015.38.57
  50. M. R. Kim & N. G. Cho. (2016). A Study on the Rhythmic Patterns of Korean Folk Dances are designated as Important Intangible Cultural Property-Concerned on Buddhist Dance and Taepyeongmu-. Journal of Korean Dance, 34(3), 23-47. DOI : 10.15726/jkd.2016.34.3.002
  51. S. Y. Kim & U. M. Kim. (2016). 'Seung - Mu' as a perspective of Buddism Medication - Four Foundations of Mindfulness -. Korean dance and science and technology, 12(1), 131-164. UCI : G704-SER000014875.2016.12.1.004
  52. H. Y. Yun & S. J. Cha. (2017). Aesthetic Ownership Methodology and Educational Definition Beyond Byuksa Jung Jae-man line Seungmu. Journal of Korean Dance, 35(2), 71-96. DOI : 10.15726/jkd.2017.35.2.004
  53. H. S. Shin. (2017). A study on the spiritual world inherent in folk dance. Comparative Folklore, 62, 139-158.
  54. J. H. Lee. (2018). Study on Jogabnyeoryu Buddhist Dance Drum Gwajang(part). Korean Music Culture Research, 12, 105-134.
  55. Y. B. Kim & M. O. Han. (2019). Buddhist Thought and Esthetic Boundaries Inherent in . Journal of Korean Dance, 37(2), 97-120. DOI : 10.15726/jkd.2019.37.2.005
  56. Y. H. Joo. (2019). A philocophical research into Seung Mu. Research of Dance Education, 34(4), 167-182. DOI : 10.23022/kdes.2019.30.4.167
  57. S. Y. Kim. (2019). The Role and Meaning of Traditional Dance in Buddhist Chondojae -around the seungmu, salpuri dance, jijendance-. Korean Dance and Science and Technology, 15(2), 145-163.
  58. Y. H. Jeong & Y. I. Kim. (2019). Procedural Changes and Characteristics of the Formativeness of Seung-mu Costume - Focused on Important Intangible Cultural Asset no.27, Seung-mu of Lee Mae-Bang -. Journal of the Korean Society of Costume, 69(2), 19-38. https://doi.org/10.7233/jksc.2019.69.2.019
  59. S. A. Song. (2019). Types and Features of Maru in Korean Traditional Dances: Focusing on Seungmu and Mok-jung Dances. Journal of Korean Dance, 37(3), 41-68. UCI : I410-ECN-0102-2021-600-000149919 https://doi.org/10.15726/jkd.2019.37.3.003
  60. H. J. Lee. (2019). Study on , which was created as a motif in a Buddhist dance. The Souteast Korea Dance Society, 7(2), 159-180. DOI : 10.23003/skds.2019.7.2.007
  61. Y. H. Kim. (2019). A Study on the Seungmu Formation Process in the Early 20th Century with a focus on the 1900s and 1910s. Journal of the National Center for Korean Traditional Performing Arts, 39, 113-144. DOI : 10.29028/JNGC.2019.39.113
  62. Y. H. Kim. (2020). The Development and Composition of Seungmu (僧舞) in the Early 20th Century: Based on 1920-1945. Journal of the National Center for Korean Traditional Performing Arts, 42, 117-143. DOI : 10.29028/JNGC.2020.42.117
  63. K. S. Kim. (2019). A Study on the Characteristics of Chun-Heung Kim's Seungmu: Focusing on Dance Movement. The Journal of DSDH, 53, 95-111. DOI : 10.26861/sddh.2019.53.95
  64. S. H. Lee & B. S. An. (2019). An Exploratory Study on the Recognition of Experience of Passing Down Education of the Korean Traditional Dance -Focusing on the National Intangible Cultural Assets: Seungmu, Salpurichum and Taepyeongmu-. The Korea Contents Society, 19(9), 122-134. DOI : 10.5392/JKCA.2019.19.09.122
  65. Y. H. Lee. (2020). A study on the aesthetic of the Buddhist dance in terms of 'seeing-觀'. Research of Dance Education, 31(1), 101-119. DOI : 10.23022/kdes.2020.31.1.101
  66. J. S. Ha. (2020). A Study on the 'Infinity' and 'Self-Preservation' Represented on the Seungmu - Based on the Sublime Theory of Burke and Kant. The Korean Journal of Dance, 78(2), 183-198.
  67. M. A. Jeun. (2020). The Origin of Jang Hong-sim Barasungmu. The Korean Journal of Dance, 78(6), 235-249.
  68. H. S. Baek. (2020). A Study on the Characteristics of Dance Movements of Jang Hong-Shim's Bara Seungmu. The Korean Journal of Dance, 38(4), 49-70.
  69. K. S. Sung. (2020). The ontological significance of Jang Hong-shim and the transformation of Bara Seung-mu. Korean Discology, 30, 231-267.
  70. Y. J. Jung. (2020). A Semiotic Study on Byuksa Jeman Jung's Buddhist Dance(Seungmu): Mainly on Yeombul Gwajang. Journal of the Korean Convergence Science Society. 9(2), 156-167.
  71. K. L. Choi & M. Y. Park. (2021). A philosophical review of < Seungmu > from Nietzsche's thought. The Korean Journal of Dance, 79(1), 249-266. DOI : 10.21317/ksd.79.1.15
  72. J. S. Lee. (2021). A Study on the Performance Aspects of Seungmu and Seongjinmu in the 19th Century. Journal of the National Center for Korean Traditional Performing Arts, 43, 129-153.
  73. S. K. Choi. (2021). A Study on the Seungmu of Beopwoo Song Jae-Seop, an Intangible Cultural Asset No.15 of Daejeon City. Master's degree dissertation. Sookmyung Women's University, Seoul.
  74. S. K. Choi. (2021). A Study on the Seungmu of Bup woo Song Jae-Sub. Journal of the Korea Convergence Society, 12(11), 311-317. DOI : 10.15207/JKCS.2021.12.11.311