DOI QR코드

DOI QR Code

The Shifts of Power in Gender Discourse: Approaching Bao Ninh's Short Stories and Svetlana Alexievich's Unwomanly Face of War from Feminist Narratology

  • Cao, Kim Lan (Institute of Literature, Vietnam Academy of Social Sciences)
  • Received : 2021.10.13
  • Accepted : 2022.01.15
  • Published : 2022.01.31

Abstract

This paper examines narratives of women's marginal position in Bao Ninh's Short Stories and Svetlana Alexievich's Unwomanly Face of War from a feminist narratological approach. In analyzing voices of marginalized women, direct and indirect descriptions of women's beauty and pain, and private-public narratives of women's love stories, this paper aims to identify presentations of women's real authority in the text written by a male author, Bao Ninh, and in the one by a female author. The paper argues that juxtaposing these texts reveals an overturn of the traditional conception of sexual and gender differences. Specifically, distinguishing between male/female discourse does not show powerful /nonpowerful language, but recognizes the real authority of each type of discourse based on sexual differences. The writing also illustrates that masculine language becomes powerless and deficient in the women's world; meanwhile, in writing about herself, woman establishes a type of a powerful feminine discourse, which blends both emotional, enthusiastic, and gossipy characteristics of female language and direct, rational, and strong ones of male language. Thus, the feminists' radical segregation on male/female discourses to overturn masculine authority and create a language for women at par with men has been clearly shifted when comparing the two writers' texts based on the juxtapositional model of the comparative literature.

Keywords

Acknowledgement

This research is funded by Vietnam National Foundation for Science and Technology Development (NAFOSTED) under grant number 602.04-2020.304.

References

  1. Alexievich, Svetlana. 2017. The Unwomanly Face of War. Translated by Richard Pevear and Larissa Volokhonsky. New York: Penguin Random House.
  2. Bao Ninh. 1994. The Sorrow of War. London: Vintage.
  3. Bao Ninh. 2013. Bao Ninh nhung truyen ngan. Ho Chi Minh City: The Young Publishing House.
  4. Bassnett, Susan. 1993. Comparative Literature: A Critical Introduction. New Jersey: Wiley-Blackwell.
  5. Bassnett, Susan. 2006. "Reflections on Comparative Literature in the Twenty-First Century", Comparative Critical Studies, 3(1-2): 3-11. https://doi.org/10.3366/ccs.2006.3.1-2.3
  6. Cavallaro, Dani. 2003. French Feminist Theory: An Introduction, London & New York: Continuum.
  7. Cixous, Helene. 1976. "The Laugh of the Medusa", (Translated by Keith Cohen and Paula Cohen), Signs, 1(4): 875-893. https://doi.org/10.1086/493306
  8. Cixous, Helene. 2008. White Ink: Interviews on Sex, Text and Politics (Edited by Susan Sellers). Stocksfield, UK: Acumen Publishing Limited.
  9. Dambrosch, David. 2006. Rebirth of a Discipline: The Global Origins of Comparative Studies Comparative Critical Studies, 3(1-2): 99-112. https://doi.org/10.3366/ccs.2006.3.1-2.99
  10. Dombrowski, Nicole A., 2005. Women and War in the Twentieth Century. Routledge: Taylor & Francis.
  11. Fricker, M. and Hornsby, J. eds. 2000. Feminism in philosophy. Cambridge: Cambridge University Press.
  12. Friedman, Susan S., 2011. Why Not Compare? PMLA, 126: 753-762. https://doi.org/10.1632/pmla.2011.126.3.753
  13. Jaireth, Subhash. 2017. I listen when they talk and I listen when they are silent': The polyphonic reality of Svetlana Aleksievich's Unwomanly Face of War, https://www.academia.edu/33224392/aleksievich_unwomanly_face_of_war_pdf. (Accessed September 15, 2021).
  14. Kramarae, Cheris. 1980. Proprietors of Language. Women and Language in Literature and Society. Sally McConnel-Ginet, ed. 181-195. New York: Praeger.
  15. Lakoff, Robin. 1975. Language and Woman's Place. New York: Harper and Row.
  16. Lanser, Sussan. 1982. The Narrative Act: Point of View in Prose Fiction. New Jersey: Princeton University Press.
  17. Lanser, Sussan. 1986. Towards a Feminist Narratology. Styles, 20(3): 341-363.
  18. Lanser, Susan. 2014. Gender and Narrative. The Living Handbook of Narratology. Walter de Gruyter, ed. (First published in 2009), or https://www.lhn.uni-hamburg.de/node/86.html. (Accessed September 15, 2021).
  19. Nguyen Viet Phuong. 2016. Gioi va ngon ngu trong tu tuong cua Helene Cixous. Van hoc va gioi nu. Phung Gia The, Tran Thien Khanh, ed. 106-113. Hanoi: The World Publishing House.
  20. Phung Gia The, Tran Thien Khanh (Bien soan). 2016. Van hoc va gioi nu (Mot so van de ly luan va lich su). Hanoi: The World Publishing House.
  21. Saussy, Haun. 2006. Comparative Literature in an Age of Globalization. Maryland: Johns Hopkins University Press.
  22. Spender, Dale. 1980. Man Made Language. London: Routledge and Kegan Paul.
  23. Spivak, Gayatri Chakravorty. 2003. Death of a Discipline. New York: Columbia University Press.
  24. Theocharis, Angelos. 2019. Polyphonic Memory and Narratives of Resilience in Svetlana Alexievich' s Secondhand Time. Journal of Languages, Texts, and Society, 3: 85-232.
  25. Yengoyan, Aram. 2006. Modes of Comparison: Theory and Practice. Michigan: University of Michigan Press.