DOI QR코드

DOI QR Code

Research on the Chinese Opera-Themed Woodcut New Year Pictures in Yangjiabu from the Perspective of Cultural Studies

  • Received : 2022.11.14
  • Accepted : 2022.12.09
  • Published : 2022.12.31

Abstract

Chinese Opera-themed woodcut New Year pictures in Yangjiabu are representative of Chinese New Year pictures. This research takes cultural research as a breakthrough point, analyzes and combs its Context, Representation, Coding & Decoding, and finds that: After the imitation and restatement of traditional Chinese opera, the opera-themed woodcut New Year pictures have formed a dynamic intertextual relationship with Chinese culture and traditional Chinese opera. The understanding of this intertextual relationship is not only an important way to study Chinese folk art but also one of the ideas to show the aesthetic spirit of it.

Keywords

References

  1. Edited by Yangjiabu New Year Woodcut Pictures Research Institute, Shandong province Weifang Museum, Yangjiabu New Year Picture, Cultural Relics Publishing House, 1990. 
  2. Encyclopedia of China Publishing House, Encyclopedia of China Opera and Folk Art (Frontispiece), Editorial Department, Editorial Board of Opera And Qu Yi, General Editorial Committee of the Encyclopedia of China, Encyclopedia of China Publishing House, 1983. 
  3. Wang Guowei, History of the Song and Yuan Opera, Baihua Literature and Art Publishing House, 2002. 
  4. Zhang Cixi, Historical Materials of the Operatic Circle in Beijing during the Qing Dynasty, China Drama Press, 1988. 
  5. Meng Sen, Xin Shi Collection (Xin Shi Cong Kan), Liaoning Education Press, 1998. 
  6. Hippolyte Adolphe Taine(translated by Fu Lei), Philosophy of art, China Modern Publishing House, 2017. 
  7. Stuart Hall(translated by Xu Liang and Lu Xinghua), Representation-Cultural Representations and Signifying Practices, Commercial Press, 2003. 
  8. Vernon Hyde Minor(translated by Li Jianqun, etc), Art History's History, Shanghai People's Publishing House, 2007. 
  9. Wang Shucun, A New Year Picture Depicting a Stage Play, Peking University Press, 2007. 
  10. Ma Ye, The Movement Characteristics of Chinese Opera Stage Time and Space-With the Concept of Opera Stage Time and Space, Drama, No.2, July 1982. 
  11. Zhao Jin, The Theoretical Research on Stuart Hall's "Encoding and Decoding", Master. Thesis. Guangxi Normal University, Guilin, GUANGXI, CHINA, 2014. 
  12. Zhou Xian, The Visual Culture in Contemporary China, Yilin Press, 2017. 
  13. Deng Xiaoqiu, The Essence of "One table, two chairs" -A Discussion with Yan Shishan, Sichuan Opera, No.5, October 1989. 
  14. Elaine Baldwin(translated by Tao Dongfeng, etc), Introducing Cultural Studies, Higher Education Press, 2004. 
  15. John Fiske, Edited by Robert Alan, Channels of Discourse: TV and Contemporary Criticism Theory, Peking University Press, 2008. 
  16. Rong Shuyun, Artistic Anthropological Study of Yangjiabu's New Year Woodcut Pictures in Social Transformation, Ph.D. Thesis. Chinese National Academy of Arts, BEIJING, CHINA, 2017.