Journal of Information Technology Applications and Management

  • 제28권1호
  • /
  • Pages.43-51
  • /
  • 2021
  • /
  • 1598-6284(pISSN)
  • /
  • 2508-1209(eISSN)
한국데이터전략학회 (Korea Data Strategy Society)
권호 표지
DOI QR코드

DOI QR Code

영화배우 김혜수의 스크린 퍼포먼스

Screen Performance of the Korean Actress Kim Hye-Soo

  • Kim, Jong-Guk (Division of Culture & Arts, BaekSeok University)
  • 투고 : 2021.01.02
  • 심사 : 2021.02.21
  • 발행 : 2021.02.28
PDF 다운로드
⟨ 이전 논문 다음 논문 ⟩

초록

This article explores Kim Hye-soo's film acting from the perspective of performance, which means a socio-cultural action planned and intended for a certain purpose. Through the aspect of screen performance which the identity of the era that the performance study aims for is expressed through acting and reappeared in a system of verbal and non-verbal symbols, it was intended to enhance the academic value of Korean film acting. First, Kim Hye-soo's acting performance transforms by repeating genre acting. The sensuality and sexual attractiveness that evaluates Kim Hye-soo are repeated by the typical vision required by genre films, but the acting performance is not consumed or subordinated as a tool for visual pleasure. Second, Kim Hye-soo's body, face, emotion and audio are engraved with memories of the times, and the sociocultural identity of the performance is expressed through dynamic interaction between actions and reactions. Third, Kim Hye-soo's restored and recreated performance is sensitive to the changes of the times and is still in the process.

키워드

과제정보

This paper was supported by the research grant of the Baekseok University in 2020

참고문헌

  1. Baron, C. and Marie, S., Reframing screen performance, University of Michigan Press, 2008.
  2. Chion, M., L'audio-vision : Son et image au cinema, Yoon Kyung-jin, trans., HanNa-rae, 2004.
  3. Choi, J.-W., " 'Eight Colors' Kim Hye-soo-Innocent..., tough..., Pustitis...", Kyunghyang Shinmun, 2007. 11. 2.
  4. Cornea, C., Genre and performance, Manchester University Press, 2010.
  5. Hong, S. M., "The desire of the running body and the recursion of the self-Rukism's desire and the oriental body aesthetics", Philosophy Studies, Vol. 44, 2011, pp. 267-302.
  6. Joo, H. S., Homo Performance, Theater and Human, 2019.
  7. Jung, M., "Chinatown", Maeil Newspaper, 2015. 5. 1.
  8. Kim et al., Kim Hye-su, Easy book, 2014.
  9. Kim, J., "A Philosophical Study on the Discourse of Sexuality in Contemporary Culture", Daedong Philosophy, Vol. 5, 1999, pp. 1-24.
  10. Kim, J.-W., Our Movie 100 Years, Hyeonamsa, 2002.
  11. Kim, K.-O., "Comparison of women's spy shapes in Trans Nationalism era", Comparative Korean Studies, Vol. 18, No. 3, 2010, pp. 239-265.
  12. Kim, S., "Is Korean films in the Renaissance?", Performances and Reviews, Vol. 8, 1996, pp. 133-147.
  13. Kim, S.-S., "US media, review article of The War Of Flower praised Kim Hyesoo's sensuality", Segyeilbo, 2007. 2. 6.
  14. Kim, Y. S., Study of Theater as a Performance, Sogang University Press, 2017.
  15. Kwon, S.-H., Korean female history seen by body, Gyeongin Culture, 2011.
  16. Lee, H.-J., "Kim Hye-soo, 'The Smile of the Femme Fatal Queen' ", Maeil Economic Daily, 2012. 6. 12.
  17. Park, M.-W. and No, K.-W., "The Birth of a Feminist Action Movie", Media, Gender & Culture, Vol. 31, No. 2, 2016, pp. 125-157.
  18. Patterson, J. and Donahue, T., A Concise history of theatre, Shin Il-soo & Kim Ji-myeong, trans., 2016.
  19. Pisters, P., The matrix of visual culture : working with Deleuze in film theory, Minah Jung, trans., Philosophy and Reality History, 2007.
  20. Richard, S., Performance studies : an introduction, Routledge, 2002.
  21. Seo, B.-K., "30 years of acting talent Kim Hye-soo, "I'm a long way off" after filming", Herald Economic Daily, 2017. 11. 9.
  22. Shim, E.J., "The Fantasticity of Movies", Literature and Video, Vol. 7, No. 2, 2006, pp. 171-192.
  23. Stern, L., Acting and performance in moving image culture, Verlag, 2012.
  24. Thrift, N. J., The affect theory reader, Translated by Sunghee Choi, Jiyoung Kim, Hyejeong Park, Galmuri, 2015.
  25. Yeon, H. W., "The Cinematographic Apparatus and the Organization of Gaze-Laura Mulvey", Korean Women's Philosophy, Vol. 4, 2004, pp. 109-135.