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아시아 작가주의 감독의 예술적 영상언어표현 분석 - 왕가위 감독과 이와이?지 감독의 영화를 중심으로

Analysis of artistic visual language expression of Asian authorism director - Focusing on the films of director Wang Gawi and Iwai Shunji

  • 이태훈 (경희대학교 디지털콘텐츠학과) ;
  • 장이란 (경희대학교 디지털콘텐츠학과)
  • Lee, Tae-hoon (Division of Digital contents design, Kyung-hee University) ;
  • ZHANG, YIRAN (Division of Digital contents design, Kyung-hee University)
  • 투고 : 2020.12.18
  • 심사 : 2021.03.20
  • 발행 : 2021.03.28

초록

이와이 ?지가 '일본의 왕가위'라고 불리는 원인 탐구를 출발점으로 두 감독 영화의 영상 스타일을 비교 연구하고, 두 사람의 스타일의 유사점과 다른 점의 이론적 특징을 탐구함으로써 나아가 중국 영화산업의 발전에 시사점을 제시하는 것이 본 논문의 목적이다. 문헌 탐색을 통해 두 감독의 문화적 배경 분석 영화 스타일 비교 및 영화 미학적 비교 분석 등의 연구 방법을 통해 두 감독의 영화에 대한 더 깊은 이론적 연구를 진행하였다. 두 감독의 영화는 모두 영상을 통한 서사의 흥미로운 추상적 표현이 특징이지만 주제 설명 방식에는 차이가 있다는 것을 발견했다. 이 논문의 연구는 두 감독의 영화를 탐구하는 데 새로운 사고를 제공할 것이며, 작가주의 영화를 탐구하는 데 새로운 방향을 제시할 것이다.

Based on the exploration of the reasons why Shunji Iwai is called "Wong Kar-wai of Japan", this paper compared and studied the image style of two directors films, and explored the theoretical characteristics of their similarities and differences, so as to provide inspiration for the development of Chinese national films. This is the purpose of this paper. Through the search of literature, cultural background analysis of the two directors, film style comparison and film aesthetics comparative analysis and other research methods, this paper made a more in-depth theoretical research on the films of the two directors. It was found that the films of the two directors showed the characteristics of narrative abstraction and image beautification, but there were also some differences in the choice of narrative subjects. The research of this paper provided a new train of thought and starting point for us to study and explore the films of two directors, and pointed out a new direction for us to explore the trend of national films.

키워드

참고문헌

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