DOI QR코드

DOI QR Code

A Method for Color Harmony Scheme Code Design based on Analysis of Color Difference and Nuance Area - Focused on the Biophilic Color Palette in Landscape Painting of Impressionism -

색상차와 뉘앙스 영역 분석에 기반한 조화배색코드 생성방법 개발 - 인상주의 풍경화의 바이오필릭 색채팔레트를 중심으로 -

  • Received : 2020.12.28
  • Accepted : 2021.03.12
  • Published : 2021.03.30

Abstract

In the era of the 4th Industrial Revolution, people who need healing feel euphoria and stability in a place that is with nature. Nature is colorful in its relationship with light, which changes over time. Since Color does not exist alone, Color Scheme is important. The physical environment of an individual affects the psychological state. However, colors schemes that prioritize the beauty aspects, not the color schemes that focus on psychological stability, are used in architectural spaces. Therefore, considering the natural preferences of humans, there is a need to propose a harmonic color scheme code based on the natural color system(NCS) and Ostwald's color harmony theory in terms of biophilic design based on the life sense of nature. The purpose of this study under this background is to develop a method of extracting a harmonic color scheme code(color harmony scheme) based on the analysis of color differences and nuance areas by utilizing biophilic color palettes. In this study, 25 biophilic color palettes developed in the preceding study of Choi & Lee(2020) were used for the development of method for color harmony scheme. 2270 three-color combination code was constructed and analyzed based on the color difference and nuance area to propose a method of deriving color harmony scheme codes. This is ultimately to plan an architectural environment that helps heal by utilizing colors that deal with the colors of nature.

Keywords

References

  1. Adams, Sean. (2017). The Designer's Dictionary of Color. New York, ABRAMS.
  2. Arnheim, Rudolf. (1974). Art and Visual Perception. Berkeley, University of California Press.
  3. Choi, Y., & Lee, H. (2020). Biophilic Color Palette Development based on NeuroArchitecture towards Psychological Healing: Focused on the Landscape Painting of Impressionism 'Claude Monet'. Journal of the Architectural Institute of Korea Planning & Design, 36(2), 43-52.
  4. Gouras, P. (1991). The Perception of colour. Houndmills, Basingstoke, Hampshire: Macmillan Press.
  5. Kellert, S. R., Heerwagen, J., & Mador, M. (2008). Biophilic Design: The Theory, Science, and Practice of Bringing Buildings to Life. Hoboken, New Jersey, John Wiley & Sons.
  6. Kellert, S. R. (2018). Nature by Design(The Practice of Biophilic Design). yale university press.
  7. Kim, D. & Oh, J. (1997). Color Terminology and Color Order Systems. Korean Society of Color Studies. 9(9). 125-144.
  8. Kim, K., Choi, K., Park, J., & Lee, Y. (2001). Environmental color planning theory. Ewha Womans University Color Design Institute.
  9. Kim, M.-K. (2017). Kim's Practical Color Design. YeLim.
  10. Kim, Y.-J., & Park, O.-R. (2007). Color. hyungsul.
  11. Korean Society of Color Studies. (2005). Colorist. Kukje.
  12. Mahnke, Frank H., & Mahnke, Rudolf H. (1993). Color and light in man-made environments. New York: John Wiley & Sons.
  13. Moon, E.-B. (2011). Color Design Textbook. Paju: AHN GRAPHICS.
  14. Moussavi, Farshid., & Kubo, Michael. (2006). Function of Ornament. Barcelona: Actar, Harvard University, Graduate School of Design.
  15. Ou, Li-Chen, & Luo, M. Ronnier. (2006). A colour harmony model for two-colour combinations. Color Research Application, 31(3), 191-204. https://doi.org/10.1002/col.20208
  16. Park, Y. (2007). (A)dictionary of color. YeLim.
  17. Park, Y., & Lee, H. (2017). Color & Design. gyomoon publishers.
  18. Scandinavian Colour Institute AB. (2007). NCS Digital Atlas 1950. Retrieved June 17, 2020 from www.ncscolour.com
  19. Sternberg, Esther M. (2010). Healing spaces: the science of place and well-being. Cambridge, Mass., Belknap Press of Harvard University Press.
  20. The Tokyo Chamber Of Commence and Industry (2005). Color Combination 2. The Tokyo Chamber Of Commence. TOHAN Corporation.
  21. Tom Porter & Byron Mikellides. (1976). Colour for Architecture. London: Studio Vista.
  22. Ulrich, Roger S. (1993). The Biophilia Hypothesis: Chapter3. Biophilia, biophobia and natural landscapes. Washington DC: Island Press, 73-137.