Journal of Music and Human Behavior (인간행동과 음악연구)

Korean Music Therapy Education Association (한국음악치료교육학회)
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Samulnori Musicians' Experiences of Object Relations With Their Instruments

사물놀이 연주자의 악기 대상관계 경험

  • Kim, Cheonsa (Gwang Myeong Welfare Center for the Disablied) ;
  • Kim, Kyoungsuk (Department of Music Therapy, Graduate School of Music, University of Suwon)
  • 김천사 (광명장애인종합복지관) ;
  • 김경숙 (수원대학교 음악대학원 음악융합학과 음악치료상담전공)
  • Received : 2021.10.21
  • Accepted : 2021.11.25
  • Published : 2021.11.30
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Abstract

The purpose of this research was to explore the phenomenon of object relations with musical instruments as experienced by professional Samulnori musicians. The researcher conducted in-depth individual interviews with five Samulnori players who also completed questionnaires with open-ended questions. The data were analyzed using Giorgi(2004)'s phenomenological methodology. The results offered 121 semantic units, seven subcategories, and three main categories. The three main categories were transitional object, object of expression and recognition of internal desires, and object for recognition of others and communication. These results suggest that the ensemble format of Samulnori promotes the development of the musician's object relationship and can externalize the player's internalized representational system and interaction method. This study is significant in that it reveals the endopsychic functional relationship between a musician and their instrument and provides the basis for the use of Samulnori instruments in music therapy.

본 연구의 목적은 연주자가 사물놀이에서 경험하는 악기와의 대상관계 현상을 탐구하는 것이다. 이를 위해 연구자는 사물놀이 연주자 5명을 대상으로 반구조화된 개방형 질문을 통한 심층 면담을 시행하고 자료를 수집하였으며 Giorgi(2004)의 현상학적 연구 방법으로 분석하였다. 연구 결과, 121개의 의미단위, 7개의 하위 범주, 3개의 대범주가 도출되었다. 3개의 대범주는 '중간대상의 매체', '내적 욕구 표현 및 인식의 수단', '타인 인식과 소통의 도구'로 나타났다. 사물놀이에서 악기는 연주자에게 내적 몰입을 도와주는 대상 경험을 하게 하는 매체가 된다. 또한 연주자는 악기연주를 통해 자신의 내적 욕구를 표현하고 자신의 성격과 정체성에 대해 새롭게 인식한다. 이와 동시에 연주자는 악기 특성과 사물놀이에서의 역할에 따라 악기를 사람처럼 대상화하여 내적 표상을 형성하고 이를 중심으로 연주에서의 관계를 이해하고 타연주자와 소통한다. 마지막으로 사물놀이에서 악기는 연주자에게 이상적 자기 성격에 따른 대리적 대상의 역할을 한다. 본 연구의 결과는 사물놀이라는 합주 형태가 연주자의 대상관계 발달을 촉진하며 연주자의 내면화된 표상체계와 상호작용 방식을 외화하고 있음을 알 수 있게 해준다. 본 연구는 연주자와 악기 간의 심리내적인 기능적 관계를 밝히고 음악치료에서 사물놀이 악기 활용에 대한 기초를 제시해주었다는데 의의가 있다.

Keywords

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