DOI QR코드

DOI QR Code

A Study on the Manufacturing Technique of Goryeo Lacquered Box

고려 나전국화넝쿨무늬합의 제작기법 연구

  • Park, Su Zin (Cultural Heritage Conservation Science Center, National Research Institute of Cultural Heritage) ;
  • Song, Jung Il (Cultural Heritage Conservation Science Center, National Research Institute of Cultural Heritage) ;
  • Kim, Han Seul (Cultural Heritage Conservation Science Center, National Research Institute of Cultural Heritage) ;
  • Jo, Ah Hyeon (Cultural Heritage Conservation Science Center, National Research Institute of Cultural Heritage) ;
  • Park, JongSeo (Restoration Technology Division, National Research Institute of Cultural Heritage)
  • 박수진 (국립문화재연구소 문화재보존과학센터) ;
  • 송정일 (국립문화재연구소 문화재보존과학센터) ;
  • 김한슬 (국립문화재연구소 문화재보존과학센터) ;
  • 조아현 (국립문화재연구소 문화재보존과학센터) ;
  • 박종서 (국립문화재연구소 복원기술연구실)
  • Received : 2020.10.22
  • Accepted : 2020.12.04
  • Published : 2020.12.29

Abstract

In this paper, we present a nondestructive analysis using X-ray and microscopic investigation to detect the structure, manufacturing technique and preservation status of the Goryeo lacquered box Inlaid with Mother-of-pearl Chrysanthemum and Scroll Design (Goryeo Lacquered Box). We confirm that the Goryeo Lacquered Box consists of the soft wood as the basic material. The soft wood was coated with textile and then lacquered. The box structure of the Goryeo Lacquered Box was formed of wooden boards with wood plants added to the side, after processing into a trefoil-shaped. The wooden sides of the Goryeo Lacquered Box were cut at regular intervals for easier processing into a curved shape. Moter-of-pearl, tortoiseshell, and metal wire were used to decorate the surface. mother-of pearl was the cutting processing, and tortoiseshell was used for back coloring. The metal line was constructed using one line and twist line.

X-선을 이용한 비파괴 조사와, 현미경 조사를 통해 고려 나전국화넝쿨무늬합(고려나전합)의 구조와 제작기법을 확인하고, 보존상태를 파악하였다. 조사결과, 고려 나전국화넝쿨무늬합은 침엽수재를 바탕재료로 사용하였으며, 목재 위에는 직물을 바른 뒤에 옻칠을 한 것으로 확인되었다. 합의 구조는 판재를 반화형으로 가공한 뒤에 측면에 목재를 덧붙여서 제작하였고, 측벽으로 사용한 부재는 일정한 간격으로 칼집을 내어서 곡선형으로 가공하기 용이하게 만든 것으로 확인되었다. 나전의 가공은 주름질을 사용하였으며, 대모장식에는 복채기법이 사용되었다. 금속선은 단선과 착선이 사용되었다.

Keywords

Acknowledgement

본 연구는 국립문화재연구소 문화유산조사연구(R&D) 사업의 일환으로 수행되었으며, 이에 감사한다.

References

  1. Gimhae Museum, 2019, Ohchil Laquer, the color and light of ancient artifacts, Gimhae Museum, Gimhae, 28.
  2. National Research Institute of Cultural Heritage, 2006, Najeonjang. minsockwon, Seoul, 12.
  3. Kwon, S.O., 2007, Najeon craft. Deawonsa, Seoul, 13, 18, 31, 48. (in Korea)
  4. Son, D.H., 2006, Tradition lacquer craft. Korea Cultural Heritage Foundation, Seoul, 28. (in Korea)
  5. Kwon, O.K., Kim, M.H., Kim, J.S. and Jung, Y,J., 2020, Wood Anatomy. The Korean Society of Wood Science & Technology, Seoul, 25.
  6. Yunhap News Agency, 2020, Najeon Chilgi of Goryeo, Returning from Japan. https://www.yonhapnewstv.co.kr/news/MYH20200703002300038?did=1825m/ (October 12, 2020)
  7. Kyuhai Taniya, 2010, About the wooden structure of Katsuki Takahara Tsumi Taka-grade-term thickener. Masuki History, 33, 61-66.