DOI QR코드

DOI QR Code

현대 패션 밈(meme)에 관한 사례연구

A case study on the contemporary fashion meme

  • 김고운 (명지대학교 패션디자인전공)
  • 투고 : 2020.05.21
  • 심사 : 2020.06.23
  • 발행 : 2020.06.30

초록

This study defines the concept of the fashion meme, which has recently emerged as a fashion trend, influential fashion keyword. After analyzing the concepts and characteristics of traditional memes from prior studies, examples of fashion memes were collected from online community and social network services, while a literature study and case study analysis were conducted in parallel drawing on related articles and journals. Modern fashion memes refer to fashion-related symbols and fashion images that are spread online by word-of-mouth, together with fashion styles and items that spread as a result of being worn. Fashion memes in cyberspace are mainly spread through social network or message services, and sometimes combine text, images, videos, hashtags, and emoticons. Fashion memes are a type of collective action of the people in response to social problems in the world, and often involve humorous antics, satire, shock, and eccentricity. Shared fashion memes reflect the expression of personality expression and fun, and at the same time are used as an expression of designer and brand creativity and are integral to marketing. Fashion memes are classified into four types, based on two central axes as follows: non-commercial/commercial and anti-fashion/fashion-friendly. Unlike traditional memes, Internet-based fashion memes emphasize elements of transformation through creativity as well as imitation, which has become a persisting contemporary trend beyond temporary phenomena.

키워드

참고문헌

  1. Bauckhage, C. (2011). Insights into internet memes. Proceeding of the 5th International AAAI Conference on Weblogs and Social Media, 42-49.
  2. Bhattacherjee, A. (2001). Understanding information systems continuance: An expectation-confirmation model. MIS Quarterly, 25(3),351-370. doi:10.2307/3250921
  3. Castano Diaz, C. M. (2013). Defining and characterizing the concept of internet Meme. CES Psicologia, 6(2), 82-104.
  4. Castells, M. (2009). Communication power. Oxford: Oxford University Press.
  5. CBS NEWS. (2011). 20 presents the World Wide Web has given us. Retrieved May 4, 2019, from https://www.cbsnews.com/pictures/20-presents-the-world-wide-web-has-given-us/10/
  6. Choi, H. J. (2009). A study on expression of the plane property considered as meme phenomena after 20th century - Centered on social/cultural phenomena and visual art. Journal of Basic Design & Art, 10(5), 517-532.
  7. Chung, K. H., & Lee, M. S. (2015). A study on the communication strategies of high fashion brands in the era of social media: Focusing on the applications and design components of SNS. The Journal of Korean Society of Design Culture, 21(4), 593-608.
  8. Chung, K. H., Lee, M. S., & Jeremy, S. B. (2018). A study on the everydayness of high fashion on social media platforms. The Journal of Korean Society of Design Culture, 24(3), 533-554. https://doi.org/10.18208/ksdc.2018.24.3.533
  9. Dawkins, R. (1976). The selfish gene (Y. N. Hong, Trans). Seoul: Eulyoo. (Original work published 2006).
  10. Excelrow. (2016, November). 여러 가지 잡담 [A variety of small talk] [blog post]. Retrieved October 17, 2019, from https://m.blog.naver.com/kewnetal/220854344415
  11. Fisher, L. A. (2017, March). High fashion memes are now a thing thanks to Gucci. BAZZAR, Retrieved April 15, 2019, from https://www.harpersbazaar.com/fashion/designers/news/a21477/gucci-memes/
  12. Hwang, J. H. (2004). The identity and collective action of cyber community - Focusing on DCinside, SLRclub and Reddevils. Korean Journal of Sociology, 6(6), 105-138.
  13. Ibrahim, Y. (2016). Tank man, media memory and Yellow Duck patrol: Remembering Tiananmen on social media. Digital Journalism, 4(5), 582-596. https://doi.org/10.1080/21670811.2015.1063076
  14. Jacquemus. (2018, March). When I try to be LA BOMBA... Instagram, Retrieved May 4, 2019, from https://www.instagram.com/p/BgRQ9zTFYfl/?utm_source=ig_embed
  15. Jo, D. G. (2016). Study of cyberculture and the diffusion of internet memes. Philosophy.Thought․ Culture, 21, 215-234.
  16. Jung, B. R. (2013). Why people keep spreading 'meme' on YouTube? - Predicting and explaining continuance intention to generate and share a parody. Unpublished master's thesis, Korea University, Seoul, Korea.
  17. Jung, B. R., & Kim, S. C. (2013). Predicting and explaining YouTube users continuance intention to generate and share a parody. Journal of Cyber communication Academic Society, 34(4), 131-167.
  18. Kwon, H. N., & Lee, H. J. (2018). The implications of artistic expression using Instagram. Korean Society of Basic Design & Art, 19(3), 27-41.
  19. Lee, G. E. (2014). A study on the fashion brand marketing using social media: Focused on the application of Pinterest and Instagram. Unpublished master's thesis, Chung-Ang University, Seoul, Korea.
  20. Lee, G. Y. (2019, September). "사딸라"에 지갑이 열리다.. 버거킹 광고에 숨은 행동경제학의 원리 [Wallet opens in "four US dollars." ..Principle of Behavioral Economics Hidden in Burger King Advertising]. Consumer evaluation, Retrieved March 3, 2020, from http://www.iconsumer.or.kr/news/articleView.html?idxno=9763
  21. Lee, H. (2013). Analysis of the ‘Gangnam style' music video through the concepts of kitsch and meme. The Journal of the Korea Contents Association, 13(11), 148-158. doi:10.5392/JKCA.2013.13.11.148
  22. Lee, K. H. (2017). Study of acceptance factor of 'JJAL BANG' broadcast images - Focused on audiences in their 20s. Journal of Digital Convergence, 15(6), 425-438. doi:10.14400/JDC.2017.15.6.425
  23. Lee, S. Y., & Hyun, D. W. (2009). Flow experience in UCC: Comparative study on flow experience among UCC producers, distributers, and viewers. Korean Journal of Journalism & Communication Studies, 53(6), 177-195.
  24. Lee, Y., Na, S. M., & Lee, J. Y. (2015). Instagram of fashion brand's current use and customer attitude based on user attributes. Journal of the Korean Fashion & Costume Design Association, 17(4), 201-217.
  25. Lim, H. S. (1999). 집합행동과 사회운동의 이론 [Theories of collective behavior and social movement]. Seoul: Korea University Press.
  26. Lyst. (2018). Year in fashion 2018: The trends that mattered. Lyst, Retrieved April 5, 2019, from https://www.lyst.com/year-in-fashion-2018/
  27. Maik. (2018, May). Originelle cosplays von sine Benja phorn. langweiledich.net, Retrieved May 1, 2019, from https://www.langweiledich.net/mit-essen-nachgebaute-promi-outfits
  28. Manikonda, L., Venkatesan, R., Kambhampati, S., & Li, B. (2015). Trending chic: Analyzing the influence of social media on fashion brands. Cornell University, Retrieved May 15, 2019, from https://arXivpreprintarXiv:1512.01174
  29. McInnis, K. (2018, November). Meme fashion: Changing our clothes and breaking the internet. BBC NEWS, Retrieved April 15, 2020, from https://www.bbc.com/news/newsbeat-46138024
  30. Melucci, A. (1989). Nomads of the present: Social movements and individual needs in contemporary society. Philadelphia: Temple University Press.
  31. Meme Snake. (2019, February). It's called fashion sharon. Amino, Retrieved May 11, 2020, from http://aminoapps.com/p/nf5xs8
  32. Memezila. (2020, Aprilr). Fashion memes. Memezila, Retrieved May 4, 2020, from https://memezila.com/1/Fashion-Memes-2073
  33. Meyrowitz, J. (1984). The adultlike child and the childlike adult: Socialization in an electronic age. Daedalus, 113(3), 19-48.
  34. Meyrowitz, J. (1986). No sense of place: The impact of electronic media on social behavior. Oxford: Oxford University Press.
  35. Nam, H. J. (2016, May). 베트멍을 패러디하는 브랜드 '베트밈' [The brand 'Vetememe' parodies Vetements]. Vogue, Retrieved May 1, 2019, from http://www.vogue.co.kr/?p=71458
  36. Newsis. (2020, May). 전국민 1일 3깡 [3 ggang a day for the whole nation]. Donga.com, Retrieved May 20, 2020, from https://www.donga.com/news/Culture/article/all/20200520/101132267/1
  37. Nichols, A. (n.d.). 50 Fashion disasters turned into hilarious memes [Pinterest]. Retrieved May 4, 2019, from https://www.pinterest.co.kr/pin/9359111712701340/
  38. Oliver, R. L. (1980) A cognitive model of the antecedents and consequences of satisfaction decisions. Journal of Marketing Research, 17(4), 495-507. doi:10.1177/002224378001700405
  39. Park, H.-J. (2000). Information society and civil society - Social and cultural attitude of netizen on cyber space. Journal of Regional Studies, 8(2), 227-257.
  40. Pompe, J. L. (2017, March). Watch out!/GUCCI NE FAIT PAS MONTRE DE BEAUCOUP D'ORIGI NALITE. Joe La Pompe, Retrieved May 20, 2019, from https://www.joelapompe.net/2017/03/27/orientgucci-watches-show-off/
  41. Sarkar, M. (2019, September). You can laugh all you want but, meme fashion sells. Fashion is Psychology, Retrieved May 5, 2020, from https://fashionispsychology.com/you-can-laugh-all-you-want-but-meme-fashion-sells-heres-why/
  42. Shiff, L. (2018, February). Gucci vs. Guccy - What??? Lorena's Worth, Retrieved May 15, 2019, from https://lorenasworth.com/blogs/fashion-news/guccivs-guccy-what-fashion-bag
  43. Shifman, L. (2012). An anatomy of a YouTube meme. New Media & Society, 14(2), 187-203. doi:10.1177/1461444811412160
  44. Shin, J. C., & Yoon, J. S. (2017). Bio art: An ensemble of bio aesthetic memeplexes. Journal of Basic Design & Art, 18(3), 195-205.
  45. Shirky, C. (2010). Cognitive surplus: Creativity and generosity in a connected age. London: Penguin Books.
  46. Xu, W. W., Park, J. Y., Kim, J. Y., & Park, H. W. (2016). Networked cultural diffusion and creation on YouTube: An analysis of YouTube memes. Journal of Broadcasting & Electronic Media, 60(1), 104-122. doi:10.1080/08838151.2015.1127241
  47. Yoon, A., Lee, E., & Lee, H. (2018). Consumer perceptions of images in fashion instagram by information providers (Brand vs Consumers): Focusing on credibility, usefulness, enjoyment. Journal of the Korean Society of Clothing and Textiles, 42(3), 379-396. doi:10.5850/JKSCT.2018.42.3.379