Wallace Thurman's The Blacker the Berry: Loving Oneself Enough to Be Selfish

  • Received : 2020.06.10
  • Accepted : 2020.06.27
  • Published : 2020.06.30

Abstract

This essay examines how Wallace Thurman envisions throug h Emma Lou a possibility of overcoming self-hatred and moving toward self-acceptance in his novel, The Blacker the Berry. Focusing on Emma Lou's departure from Alva and his deformed son, this essay contends that her "selfish" act is the first step toward self-acceptance. Describing his dark-skinned protagonist's pathetic attempts to belong to light-skinned people, Thurman mercilessly exposes and criticizes Emma Lou's psychological contradictions. Simultaneously, however, Thurman sympathizes with and shows some respect for her endeavors to make a difference in her life. Emma Lou's redemption from her self-hatred can come only when she realizes its detrimental effects on her life and learns to love herself enough to be selfish. By granting Emma Lou an opportunity to conduct a serious self-examination and resolve to sever ties with Alva, Thurman demonstrates a possibility of fighting against the color prejudice found both inside and outside oneself.

Keywords

Acknowledgement

This work was supported by Incheon National University Research Grant in 2019.

References

  1. Carter, Eunice Hunton. "Review of The Blacker the Berry." Opportunity 7.5 (1929): 162-63.
  2. Doyle, Laura. Bordering on the Body: The Racial Matrix of Modern Fiction and Culture. Oxford: Oxford UP, 1994.
  3. Du Bois, W.E.B. "Review of The Blacker the Berry, by Wallace Thurman." The Crisis 36.7 (1929): 249-50.
  4. Gaither, Renoir W. "The Moment of Revision: A Reappraisal of Wallace Thurman's Aesthetics in The Blacker the Berry and Infants of the Spring." College Language Association Journal 37.1 (1993): 81-93.
  5. Galton, Francis. Hereditary Genius: An Inquiry into Its Laws and Consequences. Gloucester: The World Publishing, 1972.
  6. Ganter, Granville. "Decadence, Sexuality, and the Bohemian Vision of Wallace Thurman." MELUS 28.2 (2003): 83-104. https://doi.org/10.2307/3595284
  7. Haslam, Gerald. "Wallace Thurman: A Western Renaissance Man." Western American Literature 6.1 (1971): 53-59. https://doi.org/10.1353/wal.1971.0027
  8. Henderson, Mae Gwendolyn. "Portrait of Wallace Thurman." Remembering the Harlem Renaissance. Ed. Cary D. Wintz. New York: Garland, 1996. 289-312.
  9. Hughes, Langston. "The Negro Artist and the Racial Mountain." The Nation 122.3181 (1926): 692-94.
  10. Popple, Naomi. "Imagining Freedom in a Post-Emancipation 'Pigmentocracy': Wallace Thurman, Toni Morrison, and Tupac Shakur." Journal of Black Studies 46.4 (2015): 404-14. https://doi.org/10.1177/0021934715574498
  11. Rampersad, Arnold. The Life of Langston Hughes: Volume I: 1902-1941, I, Too, Sing America. New York: Oxford UP, 2002.
  12. Rottenberg, Catherine. "Wallace Thurman's 'The Blacker the Berry' and the Question of the Emancipatory City." Mosaic: An Interdisciplinary Critical Journal 46.4 (2013): 59-74. https://doi.org/10.1353/mos.2013.0046
  13. Samuels, Wilfred D., and David A. Hales. "Wallace Henry Thurman: A Utah Contributor to the Harlem Renaissance." Utah Historical Quarterly 81.4 (2013): 345-67.
  14. Scott III, Daniel M. "Harlem Shadows: Re-Evaluating Wallace Thurman's 'The Blacker the Berry.'" MELUS 29.3/4 (2004): 323-39. https://doi.org/10.2307/4141858
  15. Thurman, Wallace. The Blacker the Berry. New York: Simon & Schuster, 1996.
  16. Thurman, Wallace. "Negro life in New York's Harlem: A Lively Picture of a Popular and Interesting Section." The Collected Writings of Wallace Thurman. Ed. Daniel M. Scott and Amritjit Singh. New Brunswick: Rutgers UP, 2003. 39-62
  17. Walden, Daniel. "'The Canker Galls . . . ,' or, The Short Promising Life of Wallace Thurman." The Harlem Renaissance Re-examined. Ed. Victor A. Kramer. New York: AMS, 1987. 201-11.