Journal of Digital Convergence (디지털융복합연구)

The Society of Digital Policy and Management (한국디지털정책학회)
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A case study of ceramic design that combines 3D printing technology

3D 프린팅 기술을 융합한 도자디자인 사례 연구

  • 최정화 (서울과학기술대학교 IT디자인융합전공) ;
  • 김원석 (공주대학교 조형디자인학부)
  • Received : 2019.02.08
  • Accepted : 2019.04.20
  • Published : 2019.04.28
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Abstract

The purpose of this study is to review the influence of 3D printing technology on the formability and artistic value of ceramic works through a theoretical review of 3D printing technology and a case study of ceramic works that incorporate them creatively. Thus, the following conclusions were drawn from the analysis of the ceramic works of seven artists and two design teams. First, digital production that incorporates 3D printing technology into works can be applied to data applications and changes, unlike the existing manual methods, and the artist's unique creative artwork is possible. Second, a new paradigm has emerged that expresses the new material, method, advanced digital technology, and more stereoscopic and colorful sculptures out of the traditional ceramic concepts. In the future, I hope to find new methodology that meets the developing digital technology through continuous research and utilization of 3D printing and realizing new value of ceramic design.

본 연구는 3D 프린팅 기술에 대한 이론적 고찰과 이를 창의적으로 작품에 접목시킨 도자작품 사례분석을 통하여 3D 프린팅 기술이 도자작품의 조형성과, 예술적 가치에 미치는 영향을 재조명고자 하였다. 이에 작가 7인과 두 디자인팀의 도자작품 사례분석으로 다음과 같은 결론을 도출하였다. 첫째, 3D 프린팅 기술을 작품에 접목시킨 디지털제작은 기존의 수작업 방식과 달리 데이터 응용 및 변경이 가능하여 작가의 개성 있는 창작 예술품이 가능하다. 둘째, 새로운 소재와 방식, 첨단 디지털기술로 기존의 도자개념을 벗어난 보다 입체적이고 다채로운 조형물로 표현의 새로운 패러다임을 만들어 나가고 있었다. 앞으로 3D 프린팅에 대한 계속적인 연구와 활용으로 발전하는 디지털 기술에 부합하는 새로운 방법론을 찾아내고 실현하여, 미적 가치와 아름다움을 가진 도자디자인의 새로운 가치가 재창조되기를 기대해본다.

Keywords

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Fig. 1. Wilderness Embodied, Iris Van Herpen. 2013.

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Fig. 3. Orbis Gold ring. Lionel T Dean. 2015.

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Fig. 5. 3D Printed Chair. 4AXYZ. 2013.

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Fig. 7. Woven series. Olivier Van Herpt. 2012-2018.

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Fig. 9. Artisan lectronique. Unfold. 2010.

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Fig. 11. Iceberg Series. Jonathan Keep. 2016.

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Fig. 13. Optical Flow. Emre Can. 2017.

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Fig. 15. Vase Series. An Sung Man. 2016.

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Fig. 17. Cheom Jang 151130. Yoon Ju Chul. 2015.

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Fig. 19. Large Oval Cyan Bloom. Michael Eden. 2012.

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Fig. 21. Vessel. Kate Blacklock. 2016.

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Fig. 23. Ceramic 3D printed parts. Nervous System. 2018.

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Fig. 2. Dita Von Teese. Michael Schmidt and Francis Bitonti. 2013.

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Fig. 4. Foliates. Ross Lovegrove, 2013

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Fig. 6. Wave City’ Coffee Table. Mousarris. 2016.

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Fig. 8. Arcanum. Olivier Van Herpt. 2017.

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Fig. 10. Steel Blue Glass in Iron Oxide Clay. Unfold. 2014.

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Fig. 12. Refraction ii. Jonathan Keep. 2018.

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Fig. 14. The Breakfast in the Middle East. Emre Can. 2018.

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Fig. 16. Full Moon. An Sung Man. 2016.

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Fig. 18. Openwork Mug Series. Yoon Ju Chul. 2014.

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Fig. 20. Romanesco Vase I, II. Michael Eden. 2017.

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Fig. 22. 3D Printed Ceramics. Kate Blacklock. 2016.

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Fig. 24. Ceramic 3D printed parts. Nervous System. 2018.

Table 1. Characteristics by 3D Printer type

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