DOI QR코드

DOI QR Code

전통문화에 수용된 상상 동물의 도상해석학적 분석 - 사령수(四靈獸) 민화를 중심으로 -

Iconological analysis on imaginary animals in traditional culture - Focused on four auspicious animals(四靈獸) in Korean folk paintings -

  • 김지영 (충북대학교 패션디자인정보학과)
  • Kim, Ji Young (Dept. of Fashion Design Information, Chungbuk National University)
  • 투고 : 2017.01.11
  • 심사 : 2017.03.15
  • 발행 : 2017.04.30

초록

The purpose of this study is to apply iconology to discover the symbolic system of imaginary animals focused on four representative auspicious animals in Korean folk paintings. Study methods included literature review of folk paintings, iconological analytics books, and articles. A total of 16 folk paintings of four auspicious animals in the Joseon Dynasty were analyzed using Panofsky's iconology. The four auspicious animals were Yong(dragon), Bonghwang(the eastern version of the phoenix), Shingoo (divine turtle), and Kirin(one-horned combination of a dragon and horse). According to iconological analysis, Yong is a typical symbol of royal authority, a deity of water as an object of respect with a remarkable talent of transformation, and in iconographical interpretation, represents reverence for transcendent power. Bonhwang is the symbol of a king, sun worship, the emblem of nobility and integrity, and in iconographical interpretation, the psychic bing in the sky. Shingoo is fortune prophecy, longevity and immortality, an envoy of deity, and according to iconographical interpretation, the organic view of the world. Kirin is a divine benign creature, a symbol of talent and honor, mediator between sky and earth, and in iconographical interpretation, an expression of Confucian ideology. This study produced three results. First, the four auspicious animals projected the human hope to overcome human limitations through divine creatures with mythical abilities. Second, they reflected everyday common hopes and values of pursuing fortunes and happiness. Third, the four auspicious animals' iconology was not independent of each other; it seemed to be common to and combined with each other.

키워드

참고문헌

  1. Cho, J.-Y. & Kim, C.-S. (1989). (朝鮮時代) 民畵: 下券 [The folk painting of Korea (Vol. 2)]. Seoul: Yekyongsaneopsa.
  2. Chun, J. G. (2003). 한국동물민속론 [Korean animals in folk theory]. Seoul: Minsokwon.
  3. Chung, B. M. (2011a). (무명화가들의 반란) 민화 [Rebellion of an obscure artists, Minhwa]. Seoul: Dahalmedia.
  4. Chung, B. M. (2011b). Iconological origin and change of Korean folk painting "Dragon and Tiger". The Art History Journal, 37, 259-282.
  5. Chung, B. M. (2012). 민화, 가장 대중적인 그리고 한국적인 [Minhwa, the most popular and Korean]. Paju: Dolbegae.
  6. Four auspicious animals pattern (四靈文). (n.d). In Encyclopedia of Korean Culture. Retrieved November 7, 2016, from http://encykorea.aks.ac.kr/Contents/Index?contents_id=E0025506
  7. Heo, G. (2006). 허균의 우리 민화 읽기 [Reading our folk paintings: Minhwa]. Seoul: Bookfolio.
  8. Hyun, H. H. (2013). A study on iconographic meaning and symbolism of minhwa: Focusing on ethics munjado. Unpublished doctoral dissertation, Kookmin University, Seoul, Korea.
  9. Iconography. (n.d). In Doopedia. Retrieved July 17, 2016, from http://www.doopedia.co.kr/doopedia/master/master.do?MAS_IDX=101013000716839&_method=view
  10. Jo, H. S. (2006). 우리 신화의 수수께끼 [Riddles of our myth]. Seoul: Hangyeore.
  11. Jo, Y. J. (1997). 서양화 읽는 법 [How to read Western painting]. Seoul: Sakyejul.
  12. Jung, B. S. (2002). The origin of I-ching and divination by burning tortoise shells. Journal of Eastern Philosophy, 31, 171-194.
  13. Jung, J. I. (1997). 유교의 이해 [Understanding of Confucian]. Seoul: Hyungseul.
  14. Kaemmerling, E. (Ed.). (1997). 도상학과 도상해석학. 이론-전개-문제점 [Iconography and Iconology: Theories, development, problem] (H. S. Lee, S. D. Noh, J. H. Park, H. Y. Song, & J. K. Hong, Trans.). Seoul: Sakyejul. (Original work published 1979)
  15. Kang, M.-K. (2015). The shape and perception of Taoist animals in Yusun Literature, Dong-Bang Korean Chinese Literature, 62, 31-61.
  16. Kim, J. D. (2001). (33가지 동물로 본) 우리문화의 상징세계 [Symbolism of Korean Culture]. Seoul: Dareunsesang.
  17. Kim, J. M. (2004). Phoenix pattern and the Korean's gods of heaven idea. Journal of Korean Cultural History, 21, 135-169.
  18. Kim, J. M. (2009). A study on the relationship between three legged crow(三足烏), Jujak(朱雀) and Bonghwang(鳳凰). The Journal of Korean Historical-forklife, 31, 233-285.
  19. Kim, K.-E. (2009). A study on the development of Korean painting appreciation program for junior high school class using iconography. Unpublished master's thesis, Dankook University, Gyeonggi-do, Korea.
  20. Kim, M.-T. (2008). The aesthetic meaning of fortune telling. Studies in Religion, 52, 127-159.
  21. Kim, Y. J. (1997). 귀신먹는 까치호랑이: 민화를 통해 본 우리문화의 수수께끼 [The tiger eating a ghost: Riddle of Korean culture through folk paintings]. Seooul: Dulnyouk.
  22. Kim, Y. J. (2015). 민화의 뿌리 [Roots of Korean Minhwa painting]. Seoul: Jayumungo.
  23. Kusano, D. (2001). 환상동물사전 [Dictionary of the monster] (H. A. Song, Trans.). Paju: Dulnyouk. (Original work published 1997)
  24. Lee, D. C. (2005). 한국 용설화의 역사적 전개 [Historical development of Korea Yong folktales]. Seoul: Minsokwon.
  25. Lee, D. C., Choi, J. S., & Shin, J. G. (2005). 21세기 동양철학: 60개의 키워드로 여는 동아시아의 미래 [21st century oriental philosophy]. Seoul: Eulyoomunhwasa.
  26. Lee, E. J. (2012). Panofsky's iconological interpretation of renaissance dress. Korean Society of Fashion Design, 12(3), 79-96.
  27. Lee, H. H. (2012). 미르: 용에 관한 모든 것 [Mireu: Everything about dragon]. Seoul: Bookbybook.
  28. Lee, I. S. (2005). 온 가족이 함께 읽는 신화상상동물 백과사전 [Mythical imaginary animals encyclopedia]. Seoul: A tree of ideas.
  29. Lee, J. J. (2000). Research on the Qilin 麒麟 Iconography. Unpublished doctoral dissertation, Daegu Catholic University, Gyeongsangbuk-do, Korea.
  30. Lee, J.-W., & Geum, K.-S. (2008). Iconological interpretation of the fashion of rock stars in the 1960's. Journal of the Korean Society of Costume, 58(6), 69-84.
  31. Lee, Y. C. (2001). 유교사회학 [Confucian sociology]. Seoul: Yemoonseowon.
  32. Lee, Y. S. (1998). (朝鮮時代의) 民畵 [The folk paintings of Chosun dynasty]. Seoul: Yewon.
  33. Lim, S. (2012). Theoretical examples for art discourses in the age of convergence: W.J.T. Mitchell and Erwin Panofsky. The Journal of Aesthetics and Science of Art, 36, 47-69.
  34. Lim, S.-M. (2012). On some figurative aspects of Korean imaginative animals: Working report. Unpublished master's thesis, Hongik University, Seoul, Korea.
  35. Panofsky, E. (1972). Studies in iconology: Humanistic themes in the art of the Renaissance. New York: Harper and Row. (Original work published 1939)
  36. Park, C. M. (2010). 이야기하는 민화 [Talking Korea folk paintings]. Daegu: Dohwawon.
  37. Park, S. J. (2005). Forming discourse of buddhistic divine response: Focusing on the interaction via power. Journal of Korean Oral Literature, 21, 459-486.
  38. Sim, Y. O. (2004). A study on the longevity good fortune symbol image of the ten longevity symbols painting. The Eastern Art, 8, 118-158.
  39. Takerube, N. (2000). 판타지의 주인공들 [The main characters of fantasy] (H. S. Lim, Trans.). Paju: Dulnyouk. (Original work published 1988)
  40. Wu, J., & Roh, M.-S. (2014). A study on the visual expression of China with respect to sun worship: Focused on bird images. Journal of Korean Society of Design Science, 27(1), 175-196. doi:10.15187/adr.2014.02.109.1.175
  41. Yu, W., Nahm, J.-W., & Pyo, J.-O. (2015). A study about the meaning of experience education on children's creativity through the imaginative communion between mythology and animals. Semiotic Inquiry, 42, 355-384.
  42. Yun, Y. S. (2000). Korean art book: 민화 II [Korean art book: Folk paintings II]. Seoul: Yekyong.
  43. Yun, Y. S. (2010). 신화 속 상상동물 열전 [A story on imaginary animals in mythology]. Seoul: Korea Cultural Heritage Foundation.
  44. Yun, Y. S. (2012). 민화 이야기 [Tales of Korea folk painting, Minhwa]. Seoul: Designhouse.