DOI QR코드

DOI QR Code

Priori Characteristics of Modern Housing Implemented in the Works of Otto Wagner at the Fin de siècle

Fin de siècle 시기 오토 바그너의 집합주택 작품에 구현된 근대주거의 선험적 특질

  • 전남일 (가톨릭대학교 생활과학부 소비자주거학전공)
  • Received : 2016.12.13
  • Accepted : 2017.02.18
  • Published : 2017.02.28

Abstract

The purpose of the present study is to figure out what the issues faced by architecture were at the time immediately before the transition to modern era centering of the works of Otto Wagner who acted in Vienna, Austria at the Fin de $si{\grave{e}}cle$. Therefore, the following points were examined in the present study; first, how were new spaces necessary to accommodate modern lives organized and how were the plans changed; second, how did the external expressions of architecture pursued by Otto Wagner appeared between arts and technologies, between historicism and modernity, and between decorations and functions. Through the study, it could be seen that Wagner began from historicism and traditionalism and tried to compromise them with modernity. Many modern characteristics appeared a priori in Wagner's works from the construction of 'Linke Wien Zeile housing block' in 1898, his works completely broke from the typical historicism styles to open the period of inventive 'Secession styles.' At that time, Wagner concentrated on so called 'flat decorations.' Thereafter, his residential architecture completed to modern styles with 'Neustiftgasse housing block' as the peak. The characteristics of modern housing as above became a cornerstone of the modern functionalism later.

Keywords

References

  1. Paco Asensio(Ed.), Otto Wagner, teNeues, Dusseldorf, 2002
  2. Bertha Blaschke & Luise Lipschitz, Architektur in Wien 1850 bis 1930: Historismus - Jugendstil - Sachlichkeit, Springer, Wien, 2003
  3. Franco Boris & Ezio Godoli, Wiener Bauten derJahrhundertwende: Die Architektur der habsburgischen Metropole zwischen Historismus und Moderne, Deutsche Verlags-Anstalt, Stuttgart, 1985
  4. William J. R. Curtis, Modern Architecture since 1900, Phaidon, New York, 2005
  5. Deutsches Architekturmuseum(Ed.), Vision der Moderne: Das Prinzip Konstruktion, Prestel, Frankfurt, 1986
  6. Kenneth Frampton, Modern Architecture: A Critical History, Thames & Hudson, New York, 2014
  7. Heinz Geretsegger & Max Peintner, Otto Wagner 1841-1918 - Unbegrenzte Grossstadt: Beginn der modernen Architektur, Residenz-Verlag, Salzburg, 1983
  8. Otto Antonia Graf, Otto Wagner: Vol.1 Das Werk des Architekten 1860-1902; Vol.2 Das Werk des Architekten 1903-1918; Vol.3 Die Einheit der Kunst, Weltgeschichte der Grundformen, Bohlau, Wien, 1985
  9. 이홍규.박정란.동정근, 벨 에포크의 오토 바그너와 구스타프 말러의 상관성에 관한 연구, 한국실내디자인학회논문집, 14권, 2호, 2005.4.
  10. 이재익, 주거건축을 통하여 본 전환기의 건축가 오토바그너에 관한 고찰, 수원대학교 산업기술연구소논문집, 13집, 1998
  11. Peter Mertz, Otto Wagner und Wien: Seine Bauten Heute, Harenberg-Edition, Dortmund, 1995
  12. Roger Paden, Otto Wagner's Modern Architecture, Ethics, Place & Environment, Vol.13, No.2, Routledge, 2010
  13. Gennaro Postiglione(Ed.), One Hundred Houses for One Hundred European Architects of the Twentieth Century, Taschen, Koln, 2004
  14. August Sarnitz, Otto Wagner 1841-1918: Wegbereiter der Modernen Architektur, Taschen-Verlag, Koln, 2005
  15. Mary P. A. Sheaffer, Otto Wagner - Tradition und Moderne: Seine Bauwerke in neun Touren, Compress, Wien, 1997
  16. Mitchell Schwarzer, Otto Couture: Wagner's Mixed-Matched Attire, Design Book Review, No.39, 1997
  17. 임석재, 추상과 감흥: 비엔나 아르누보 건축 I, 문예마당, 1995
  18. 칼 쇼르스케, 세기말 빈, 김병화 역, 글항아리, 2014
  19. 크리스티안 브란트슈테터 외, 비엔나 1900년: 삶과 예술 그리고 문화, 박수철 역, 예경, 2013