한국의류학회지 (Journal of the Korean Society of Clothing and Textiles)

  • 제40권4호
  • /
  • Pages.600-614
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  • 2016
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  • 1225-1151(pISSN)
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  • 2234-0793(eISSN)
한국의류학회 (The Korean Society of Clothing and Textiles)
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보드리야르의 시뮬라크르 개념을 통한 현대 페이크 패션 연구

A Study on Modern Fake Fashion Based on Simulacre Concept of Baudrillard

  • 김고운 (서울대학교 의류학과/서울대학교 생활과학연구소) ;
  • 전재훈 (서울대학교 의류학과/서울대학교 생활과학연구소)
  • Kim, Koh Woon (Dept. of Textiles, Merchandising & Fashion Design, Seoul National University/ Research Institute of Human Ecology, Seoul National University) ;
  • Chun, Jae Hoon (Dept. of Textiles, Merchandising & Fashion Design, Seoul National University/ Research Institute of Human Ecology, Seoul National University)
  • 투고 : 2015.03.10
  • 심사 : 2016.04.09
  • 발행 : 2016.08.31
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초록

This study specifies the definition and characteristics of fake fashion by categorizing cases through an analytical framework that uses the concept of simulacre, which is one of the theories that explains the reproduction of images and symbols in a modern consumer society. The presentation stages of modern fake fashion based on Baudrillard's concept of simulacre are as follows: Stage 1 focuses on the realistic imitation of the original, Stage 2 maintains a similarity with the original while transforming through the distortion of shape or visual perception, Stage 3 is the reality of the original which has become significantly vague and actively involves the designer's creativity, and Stage 4 forms a new value and an independent aura beyond reproducing the original. The presentation techniques of modern fake fashion viewed in the concept of simulacre can be classified into optical illusions by reproduction, use of a fake object, use of unusual shapes, and re-signifying through borrowing. As a result of applying the collected cases to the analytical framework, image reproduction in Stage 1 with imitative nature is a counterfeit that cannot be regarded as fake fashion, and fake fashion in Stage 4 (that can be referred to as simulacre) is fashion with symbolic and multiple meanings with new and creative designs. Modern fake fashion analyzed in the concept of simulacre transforms or reproduces the preexisting original with the purpose of merely creating original designs as well as acts as a new symbolic signal that creates a new aura and sets a trend with a message.

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