한국산학기술학회논문지 (Journal of the Korea Academia-Industrial cooperation Society)

  • 제16권2호
  • /
  • Pages.970-977
  • /
  • 2015
  • /
  • 1975-4701(pISSN)
  • /
  • 2288-4688(eISSN)
한국산학기술학회 (The Korea Academia-Industrial cooperation Society)
권호 표지
DOI QR코드

DOI QR Code

보아의 K-Pop 넘버원 댄스 핵심동작의 생체역학적 분석

Biomechanical Analysis of Key Motion on BoA's No. 1 in K-Pop Dance

  • 하종규 (강원대학교 산학협력단) ;
  • 장영관 (강원대학교 산업경영공학과) ;
  • 기재석 (상명대학교 전기전자제어학과)
  • Hah, Chong-Ku (Industry-University Collaboration Foundation, Kangwon National University) ;
  • Jang, Young-Kwan (Department of Industrial & Management, Kangwon National University) ;
  • Ki, Jae-Sug (Electrical, Electronics and Control Engineering, Sangmyung University)
  • 투고 : 2015.01.22
  • 심사 : 2015.02.12
  • 발행 : 2015.02.28
PDF 다운로드
⟨ 이전 논문 다음 논문 ⟩

초록

본 연구의 목적은 보아의 넘버원 댄스 핵심동작의 생체역학적 3차원분석이며 보아의 전문 안무가가 실험에 참가하였다. 핵심동작의 관절 동작범위는 견관절과 주관절의 전후회전, 분절 동작범위는 몸통과 골반의 좌우회전이 가장 크며 몸통이 골반보다 더 크다. 무게중심이동 속도는 상하방향이 가장 빠르고 좌우, 전후방향 순이다. 최대각속도는 상지관절의 견관절과 주관절 및 하지관절의 고관절과 슬관절의 전후회전에서 가장 크게 나타났으나 족관절의 동작범위와 각속도는 거의 생성되지 않았다. 그리고 최대 회전파워는 상지 견관절과 하지 슬관절을 중심으로 원위분절로 갈수록 작게 나타나고 회전력은 고관절 외전모멘트가 가장 크고 슬관절은 신전모멘트가 크게 나타났다.

The purpose of this study was to investigate biomechanical factors on key motions in K-Pop dance(BoA's No.1). A professional choreographer who was BoA's K-Pop No. 1 dance participated in this study. ROMs(range of motion) of shoulder and elbow joints in AP direction were greater than other joints. Those of trunk and pelvis in ML direction were the greatest of other directions. The velocity of CoG in SI direction was greater than other directions, and also max angular velocities of shoulder, elbow, knee, and hip joints in AP direction were the greatest of all directions. But ROM and angular velocity of ankle joint were very small. Max rotational powers of shoulder and knee joints were larger than other joints.

키워드

참고문헌

  1. D. Krasnow, M. V. Wilmerding, S. Stecyk, M. Wyon, &. Y. Koutedakis, "Biomechanical Research in Dance: A Literature Review", Medical problems of performing artists, 26, 1, pp.3-23. 2011.
  2. C. K. Hah, "Biomechanical Pattern Analysis of Core motion in K-Pop dance", Proc. of KAHPERD Conference for International Game, pp.319, October, 2014.
  3. H. G. Wallbott. "Bodily Expression of Emotion", European Journal of Social Psychology Eur. J. Soc. Psychol. 28, pp.879-896. 1998. DOI: http://dx.doi.org/10.1002/(SICI)1099-0992(1998110) 28:6<879::AID-EJSP901>3.0.CO;2-W
  4. M. M. Gross, E. A. Crane, B. L. Fredrickson, "Effort-Shape and Kinematic Assessment of Bodily Expression of Emotion during Gait", Human Movement Science 31, pp.202-221. 2012. DOI: http://dx.doi.org/10.1016/j.humov.2011.05.001
  5. J. M. Montepare, E. Koff, D. Zaitchik & M. Albert, "The Use of Body Movements and Gestures as Cues to Emotions in Younger and Older Adults", Journal of Nonverbal Behavior, 23, pp.133-152. 1999. DOI: http://dx.doi.org/10.1023/A:1021435526134
  6. A. Imura, M. R. Yeadon, "Mechanics of the Fouette turn". Human Movement Science, 29, pp. 947-955. 2010. DOI: http://dx.doi.org/10.1016/j.humov.2010.08.002
  7. A Imura., Y.Iino, T. Kojima, "Kinematic and Kinetic Analysis of the Fouette Turn in Classical Ballet", Journal of Applied Biomechanics, 26, 484-492, 2010. https://doi.org/10.1123/jab.26.4.484
  8. N. G. Cho, S. G. Oh, H. K. Shin, J. K, Park, S.Y. Lee, J. S. Ki, & C. K. Hah, "Comparing the Kinetics of Movement while Expressing Different Emotions during the Korean Traditional Dance Movement Gam-ki". International Journal of Advanced Science and Technology, 73, pp.75-88, 2014. DOI: http://dx.doi.org/10.14257/ijast.2014.73.05
  9. J. Lee, C. H. Oh, " A Biomechanical Analysis of Lower Extremity Segment during the Fouette en dehors Performed by Ballet Dancers". Korean Journal of Sport Biomechanics, 22, 1, pp. 043-053. 2012. https://doi.org/10.5103/KJSB.2012.22.1.043
  10. K. Laws, The Physics and Art of Dance: Under-standing Movement. New York, USA, Oxford University Press. 2002.