DOI QR코드

DOI QR Code

A study on the deconstruction shown in the 21st century fashion decentering phenomenon - Focused on visual beauty and wearable comfort of the clothing -

21세기 패션의 탈중심화 현상에 나타난 해체성에 관한 연구 - 의복의 외형미와 착용미를 중심으로 -

  • Chung, Sehui (Dept. of Clothing & Textiles, Sookmyung Women's University) ;
  • Kim, Yonson (Dept. of Clothing & Textiles, Sookmyung Women's University)
  • 정세희 (숙명여자대학교 의류학과) ;
  • 김영선 (숙명여자대학교 의류학과)
  • Received : 2015.01.13
  • Accepted : 2015.02.23
  • Published : 2015.02.28

Abstract

The purpose of this study is to review the concept and thinking structure of deconstruction theoretically and thereupon, analyze the visual beauty and wearable comfort of the clothing and further, discuss the aesthetic characteristics and values of the decentering phenomenon in the 21st century fashion. Deconstruction provides for an cognitive framework whereby we could comprehensively review the difficult-to-understand and imprudent creativity unravelling in the name of the post-modernism as well as the ambiguous visual beauty and wearable comfort of our contemporary fashion. In particular, deconstruction refuses such concepts involving the relationship between the conventional clothing and its components as order, symmetry, balance, harmony, perfection and simplicity and instead, attaches some sense of value to such relatively inferior concepts as disorder, asymmetry, unbalance, disharmony, imperfection and complexity, and thus, reflects them in the modes of aesthetic representations to create new aesthetics and expand the expressive potential.

Keywords

References

  1. Barthes, R.(1967/1998). Systeme de la mode. Seoul: Dongmunsun, pp.164-251.
  2. Cho, M. H.(1997). Research on the formative characteristics of contemporary deconstructive fashion. Unpublished Master's thesis, Sungshin Women's Univ. Seoul, Korea.
  3. Choi, Y. O.(2001). The internal deconstruction trend expressed in the works of Jean Paul Gaultier. The Research Journal of the Costume Culture, 9(4), 574-591.
  4. Chung, S. H.(2009). A study on the decentering phenomenon expressed in the contemporary fashion. Unpublished doctoral dissertation, Sookmyung Women's University.
  5. Derrida, J.(1970). Structure, sign and play in the discourse of the human science. Retrieved February 8, 2015, from http://www.csudh.edu/ccauthen/576 f13/DrrdaSSP.pdf.
  6. Derrida, J.(1976). Of grammatology. Baltimoer: Johns Hopkins Univ. Press.
  7. EnCyber, Retrieved, Jan 12, 2015, from http://www.encyber.com.
  8. Frank, M(1989). What is neostructuralism. Minnesota: University of Minnesota.
  9. Kim, H. J.(1997a). Research: A study on the relationship between contemporary fashion and deconstructive architecture. Journal of the Korean Society of Costume, 35(3), 89-100.
  10. Kim, J. Y.(1995). Deconstruction expressed in the contemporary costume: From 1980's to 1990's. Unpublished Master's thesis, Sookmyung Women's Univ. Seoul, Korea.
  11. Kim, J. Y.(1997b). Comparison of clothing with architecture- A study of modes of deconstruction in clothing. Journal of the Korean Society of Costume, 32, 293-312.
  12. Kim. S. G.(1988a). Understanding of poststructuralism. Seoul: Minumsa.
  13. Kim. S. G.(1988b). Cultural significance and prospects of poststructuralism. Seoul: Minumsa.
  14. Kim. W. D.(1991). Postmodernism and poststructuralism. Seoul: Hyeonamsa.
  15. Kwon, H. S.(2007). The mode and the characteristics of deconstructionism expressed in fashion design- Centering on review of literatures and precedent researches. Journal of Fashion Business, 11(5), 110-123.
  16. Kyung, E. J.(1995). Deconstructivism expressed in modern denim clothing. Unpublished Master's thesis, Hongik University.
  17. Lee, K. R.(1989). What is deconstruction. Seoul: Kyobobook.
  18. Lim, S. J.(2009). Philosophy dictionary. Seoul: Jungwon Munwha.
  19. Park, M. Y., & Lee, Y. J.(2000). Deconstruction of the street fashion in 1990s- Focus on S/S preta-porter collections-. Journal of the Korean Society of Clothing and Textiles, 24(8), 1155-1166.
  20. Won, Y. J.(1996). Paradigm of mass culture. Seoul: Hannarae, pp.247-267.
  21. Yun, H. N., Yun, P. J., Yun, H. J., & Jung, M. Y. (1999). Criticism of subject concept. Seoul: Seoul National University.

Cited by

  1. 현대 남성 패션에 나타난 해체주의 '차연'적 표현 특성 vol.27, pp.3, 2015, https://doi.org/10.29049/rjcc.2019.27.3.222