DOI QR코드

DOI QR Code

The Analysis of Differences in Pulmonary Functions, Jerk Cost, and Ground Reaction Force Depending on Professional and Amateur Dancers in Korea Dance

한국무용 숙련자와 미숙련자에 따른 폐기능, 부드러움, 그리고 지면반력의 차이 분석

  • Park, Yang-Sun (Department of Physical Education, College of Performing Arts & Sport, Hanyang University) ;
  • Kim, Mee-Yea (Major in Physical Education, Graduate School of Education, Hanyang University) ;
  • Lee, Sung-Ro (Department of Physical Education, College of Performing Arts & Sport, Hanyang University)
  • 박양선 (한양대학교 체육대학 체육학과) ;
  • 김미예 (한양대학교 교육대학원 체육교육과) ;
  • 이성노 (한양대학교 체육대학 체육학과)
  • Received : 2014.11.01
  • Accepted : 2014.12.30
  • Published : 2014.12.31

Abstract

The purpose of this study was to examine the differences in the performance of dancing motions depending on the level of skill by investigating pulmonary functions, ground reaction force, and jerk cost. The subjects of this study were 12 professional dancers (career: 16 yrs) and 12 amateur dancers (career: 9 yrs) who had similar physical conditions. We selected four motion phases which included the diagonal line motion, the deep flexion motion, the breath motion, and the turn motion with one leg after a small step walking motion, with Goodguri Jangdan. In the experiment, 6 infrared cameras were installed in order to analyze the value of the jerk costs and the force plate form. Finally, we measured the pulmonary functions of the subjects. For data analysis, independent t-tests according to each event, were carried out in the data processing. According to the results of FVC % Predicted, the professional dancers showed greater lung capacities than the amateur dancers, indicating that the level of dancing skill influences lung capacity. Based on the result of the balance test, the professional dancers used more vertical power than did the amateur dancers when performing maximal flexion motion. The professional dancers used a propulsive force of pushing their body forward by keeping the center of body higher while the amateur dancers used a braking power by keeping their bodies backward. When performing medial-lateral movements, the amateur dancers were less stable than the professional dancers. There were no differences in values of jerk costs between the amateur dancers and the professional dancers.

Keywords

References

  1. Chung, K. I, & Nam, K. J. (2007). Does the control of breathing help a dancer to perform a smoother ballet Pour de Bra. Korean Journal of Sport Biomechanics, 17(1), 185-190. https://doi.org/10.5103/KJSB.2007.17.1.185
  2. Chung, K. I. (2009). The influence that breathing has on the smoothness of dance movement. Unpublished Doctoral Dissertation, Graduate School of Seoul National University.
  3. Hreljac, A. (1993). The relationship between smoothness and performance during the practice of a lower limb obstacle avoidance task. Biological Cybernetics, 68(4), 375-379. https://doi.org/10.1007/BF00201862
  4. Hreljac, A. (2000). Stride smoothness evaluation of runners and other athletes. Gait and Posture, 11, 199-206. https://doi.org/10.1016/S0966-6362(00)00045-X
  5. Hreljac, A. & Martin, P. E. (1993). The relationship between smoothness and economy during walking. Biological Cybernetics, 69, 213-218. https://doi.org/10.1007/BF00198961
  6. Hyun, K. S. (2001). The effect of the Danjeon breathing exercise program applied to health promotion in women in mid life. The Korean Academic Society of Adult Nursing, 14, 1-9.
  7. Jang, M. H. (2000). The principle of breathing in singing with a feigned voice when we study the humanbody and the research on the practical training. Unpublished Master's Thesis, Graduate School of Kyunghee University.
  8. Jeong, C. S., & Chung, K. I. (2007). The relationship between smoothness and breathing for the "Pal Duleo Gamaoligy" technique in Korean traditional dancing. Official Journal of Korean Society of Dance Science, 14, 1-9.
  9. Jung, B. H. (2004). The aesthetics of Korea dance. Seoul: Jipmoondang.
  10. Jung, B. H. (1985). Korea Dance. Seoul: Yeolhwadang.
  11. Kang, R. H. (1994). A study on the proper breathing method for the efficiency of dance movement. Unpublished Master's Thesis, Graduate School of King Sejong University.
  12. Kim, C. J. (2001). A study on the natural beauty of Korean dance. Kyeongnam Physical Studies, 6(1), 93-112.
  13. Kim, E. J. (2005). The effects of basis training for korean dance breathing on lower extremities. Unpublished Doctoral Dissertation, Graduate School of Dankook University.
  14. Kim, H. J., & Choi, J. H. (2004). Effect of the PNF and weight training on muscular strength and flexibility of the lower limbs in the elderly. Journal of Physical Growth and Motor Development, 12(1), 125-134.
  15. Kim, Y. K. (2005). A study of the co-relation between the principle of movement and the aesthetic characteristic in Korean traditional dance. Asian Comparative Folklore Society, 28, 175-206.
  16. Kim, Y. M. (2001). Effect of Dan-jeon breathing on physical fitness and physical self-efficacy in junior high school students. Unpublished Master's Thesis, Graduate School of Kyungsung University.
  17. Kitazawa, S., Goto, T., & Uruxhihara, Y. (1993). Quantitative evaluation of reaching movements in cats with and without cerebellar lesions using normalized integral of jerk. In N. Mano, I. Hamada, & J. Wartenweiler (Eds.), Role of the cerebellum and basalganlia in voluntary movement (pp. 11-19). Tokyo: Elservier Science.
  18. Laban, R. (1963). Modern educational dance. 2nd edition revised by L. Ullmann. London: Mac Donald and Evans. (First published 1948).
  19. Latey, P. (2001). The Pilates method: history and philosophy. Journal of Bodywork and Movement Therapies, 5(4), 275-282 https://doi.org/10.1054/jbmt.2001.0237
  20. Lee, J., & Oh, C. H. (2012). A biomechanical analysis of lower extremity segment during the Fouette En Dehors per formed by ballet dancers. Korean Journal of Sport Biomechanics, 22(1), 43-53. https://doi.org/10.5103/KJSB.2012.22.1.043
  21. Lim, H. S. (2003). A study on breathing type in breath structure of korean dance. The Korean Journal of Dance, 35, 139-152.
  22. Miles, W. R. (1964). Oxygen consumption during three yoga-type breathing patterns, Journal of Applied Physiology, 19(1), 75-82.
  23. Na, J. S. (1996). Effects of respiration training on the dance balance in the high school korean dancers. Unpublished Master's Thesis, Graduate School of Sookmyung Women's University.
  24. Nagasaki, H. (1991). Asymmetrical trajectory formation in cyclic forearm movements in man. Experimental Brain Research, 87, 653-661.
  25. Oak, J. S. (1997). Effects of physical activity on postural balance and reaction time. Korean Journal of Physical Eduaction, 36(1), 1276-1287.
  26. Park, J. S., & Cho, C. H. (1999). The effect of Dan-jeon breathing on the cardio respiratory function. J ournal of Sport and Leisure Studies, 12, 731-743.
  27. Park, K. J. (2004). The biomechanical analysis on the Demi-Point balance of the leg segment in modern dance. Journal of Korean Society for the Study of Physical Education, 8(4), 283-297.
  28. Park, S. J. (2008). The effects of a basis respiration training on lower extremities muscle powerduring Kueb-Guel-Um in korea dancing. The Korean Society of Dance, 54, 59-74.
  29. Park, Y. S., & Jang, J. Y. (2009). The effects of breathing control on kinetic parameters of lower limbs during walking motion in korean dance. Korean Journal of Sport Biomechanics, 19(4), 627-636. https://doi.org/10.5103/KJSB.2009.19.4.627
  30. Schneider, K., & Zernicke, R. F. (1989). Jerk-cost modulations during the practice of raped arm movements. Biological Cybernetics, 60(3), 221-230.
  31. Sim, H. G. (2004). A study onthe characteristics of traditional dance by type of its breath. Korea Sport Research, 15(4), 923-938.
  32. Sim, M. S. (2011). A study ofthe importance of respiration while performing korean folk dance? Perspectiveon northeast asian. The Korean Cultural Studies, 21, 265-301.
  33. Son, J. H. (1986). (The) EMG change for the Rond De Jambe movement according to music tempo : with lower limbs as its center. Unpublished Master's Thesis, Graduate School of Hanyang University.
  34. Viviani, P. & Flash, T. (1995). Minimum-jerk, two-thirds power law, and isochrony: convering approaches to movement planning. Journal of Expeerimental Psychology, 21, 32-53.
  35. Wernick-Robinson, M., Krebs, D. E., & Giorgetti, M. M. (1999). Functional reach: Does it really measure balance? Archives of Physical Medicine and Rehabilitation, 80, 262-269. https://doi.org/10.1016/S0003-9993(99)90136-3
  36. Whang, H. Y. (1980). The analysis of breathing in Korean dancing movements. Unpublished Master's Thesis, Graduate School of Ewha Womans University.
  37. Wiegner, A. W., & Wierzbicka, M. M. (1992). Kinematic models and human elbow flexion movements: Quantitative analysis. Experimental Brain Research, 88, 665-673.
  38. Zatsiorsky, V. M. (1998). Kinematics of human motion. Champaign, IL: Human Kinetics.

Cited by

  1. Correlation Analysis between Dance Experience and Smoothness of Dance Movement by Using Three Jerk-Based Quantitative Methods vol.26, pp.1, 2016, https://doi.org/10.5103/KJSB.2016.26.1.1
  2. Analysis of Postural Stability in Response to External Perturbation Intensity in Dancers and Non-dancers vol.26, pp.4, 2016, https://doi.org/10.5103/KJSB.2016.26.4.427