A Study on the perception of time in Contemporary Architecture

현대 건축의 시간성 지각에 관한 연구

  • Received : 2011.03.28
  • Accepted : 2011.05.06
  • Published : 2011.06.30

Abstract

The purpose of this study is to analyse the diagrammatic design approaches and programmatic design approaches in contemporary architecture, so that this reveals the sequential systems of circulation in the space and liberal movement of the visitors in the buildings of those diagrammatic and programmatic architecture. Contemporary architecture generates the new forms and meanings through the dynamic visions and perspectives. Such a variation of sequential vistas and dynamic visions produce a perception of time and a potential movements of axis in the perspective. This study give the systematic body to the relations among visions, movements, sequences, forms, circulations and time. Diagrammatic and programmatic design approaches show the heterogeneous spaces and the informal architectures in contemporary architecture. Therefore, movements of various view points, differrentiations of objects in the perspectives, and multiple view frames appears in the designs of initiative architects. In conclusion, this study systemizes the concepts of time, sequential movements, and perceptions of events in contemporary architecture through the analyse of 18 architectural works of important architects in 2000s. And this shows details of the transitional movement of space and the perception of time in contemporary Architecture. The Being of the active time constructs formal transformations, spacial differentiations, accumulations of human behaviors, and movements of circulations involved with experiences of the field of senses. Therefore, Zeitlichkeit is perceived through concepts of the sequences of those spaces, forms, behaviors, and memories.

Keywords

References

  1. Arnold Hauser, 예술의 사회학, 최성만, 이병진 공역, 한길사, 1993
  2. Chales Wallschlaeger, Cynthia Busic Snyder, 디자인의 개념과 원리, 원유홍 역, 안그라픽스, 2002
  3. Giles Deluze, Felix Guattari, 천개의 고원, 김재인 옮김, 새물결, 2003
  4. Heinz Kimmerle, 데리다 철학의 개론적 이해, 박상선 옮김, 서광사, 2001
  5. Manuel Gausa, Metapolis dictionary, actar, 2004
  6. R, Stephenson, 예술로서의 영화, 송도익 옮김, 도서출판 국제, 1991
  7. 김채형, 예술 개념의 역사, 열화당, 1987
  8. 김형효, 베르크송의 철학, 민음사, 1992
  9. 임석재, 건축과 미술이 만나다, 휴머니스트, 2008
  10. 변대중, 시각적 차원에 의한 공간개념 형성에 관한 연구, 한국실내디자인학회논문집 제19권 5호, 2010
  11. 장훈익, 현대건축에 있어서 탈정형적 공간구성의 다의적 표현에 관한 연구, 영남대 박론, 2003
  12. 박영호, 현대건축시각정보의 표현 변용에 관한 연구, 홍익대 박사학위논문, 2009
  13. 김규성, 건축 디자인 과정에 있어서 주도적 형태구상 요인들의 상관관계에 관한 연구, 한양대 박사학위논문, 2002
  14. 윤재은, 해체주의 건축의 공간철학적 의미체계에 관한 연구, 홍익대 박사학위논문, 2006