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Designing Knitwear with Aran Motives - In Search of Spatial Continuity Theory with Its Application -

아란모티프를 응용한 니트웨어 디자인 - 공간적 연속성 이론을 중심으로 -

  • Lee, Yoon-Mee (Dept. of Knit Fashion Design, Hanyang Women's College) ;
  • JeKal, Mee (Dept. of Clothing & Textiles, Hanyang University) ;
  • Jang, Jung-Im (Dept. of Clothing & Textiles, Hanyang University) ;
  • Lee, Youn-Hee (Dept. of Clothing & Textiles, Hanyang University)
  • 이윤미 (한양여자대학 니트패션디자인과) ;
  • 제갈미 (한양대학교 의류학과) ;
  • 장정임 (한양대학교 의류학과) ;
  • 이연희 (한양대학교 의류학과)
  • Published : 2008.12.31

Abstract

The purpose of this study is to explore the meaning and depth of traditional knitwears, and to develop knitwear designs by using Aran motif, one of major motifs of traditional knitwears and on the basis of the 'continuance' theory of Henri Bergson and Jill Deleuze. Connectivity, the sense of space and deconstructive fluidity-basic concepts of the continuance theory-are felt in such forms as pleats, origami, and air pumping systems, blob and twisting used in the modem fashion. The motif of Aran knitwear which has a long historical tradition can be reinterpreted in terms of those concepts of the continuance theory. In this study, we designed five pieces of knitwear while applying cable motif, an important motif of Aran knitwear, and the concepts of the continuance theory to them. This study will make a contribution to the designing of knit wears through reinterpretation of a traditional motif in terms of a modem philosophical thought.

본 연구의 목적은 전통적인 니트웨어에 대한 의미와 깊이를 파악하고 베르그송과 들뢰즈의 연속성 이론을 배경으로, 전통 니트의 대표적 패턴인 아란 모티프를 응용한 니트웨어의 디자인 전개와 개발을 해보는데 있다. 현대패션에서 보여지는 주름, 종이접기, 공기주입시스템, 방울이나 꼬임 등에서 느낄 수 있는 소통, 공간적 느낌, 해체적 유동성 등이 연속성 이론의 기본이 된다. 아란 니트는 역사적 전통성을 가지고 있으며, 아란 니트에서 보여지는 모티프는 이러한 연속성의 이론에 부합하고 있다. 본 연구에서는 아란 모티프에서 연속성의 대표적인 케이블 모티프와 연속성 이론을 바탕으로 5점의 핸드 니트웨어를 디자인, 제작하였다. 전통적인 아란 니트와 연속성이론에 기초한 작품 제작 결과를 통하여 새로운 의미를 전달할 수 있는 니트 디자인 개발이 지속적으로 이루어지길 바란다.

Keywords

References

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