Changes in Aerodynamic Function and Closed Quotient with the Variable Pitch and Loudness in Male Classic Singers

남성 성악가의 음도고정시 강도 변화와 강도고정시 음도 변화의 공기역학 및 성대접촉율의 변화

  • 남도현 (연세대학교 의과대학 이비인후과교실 음성언어의학연구소) ;
  • 백재연 (연세대학교 의과대학 이비인후과교실 음성언어의학연구소) ;
  • 김재옥 (연세대학교 의과대학 이비인후과교실 음성언어의학연구소) ;
  • 박선영 (연세대학교 의과대학 이비인후과교실 음성언어의학연구소) ;
  • 최홍식 (연세대학교 의과대학 이비인후과교실 음성언어의학연구소)
  • Published : 2007.06.30

Abstract

This study examined the aerodynamic functions (mean airflow rate MFR, subglottal pressure Psub) and closed quotients (CQs) in the fixed pitch (C3, E3, G3, C4) with the variable loudness (70 and 80 dB) as well as in the fixed loudness at 70 dB and 80 dB with the variable pitch (C3, E3, G3, C4) in five classic male singers (Baritone). Results showed that MFR significantly increased at C3, E3, and G3 and Psub significantly increased at C4 when the loudness increased from 70 to 80 dB. At 70 dB, MFR and Psub significantly increased and CQ significantly decreased when the pitch increased from C3 to C4. At 80 dB, MFR significantly decreased when the pitch increased from C3 to G3. However, Psub showed the significant decrease with the pitch increased at 80 dB. In conclusion, as the loudness increases, the aerodynamic loss is getting higher and vocal efficiency becomes lower at low pitch than at higher pitch. At a low loudness level, the main mechanism to control loudness is the amount of medial compression of the vocal folds rather than the aerodynamic function. In addition, the aerodynamic function and medial compression of the vocal folds have a significant role in increasing the loudness level.

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