A Study on Gender Identity Expressed in Fashion in Music Video

  • Jeong, Ha-Na (Dept. of Fashion Design, Dongduk Women's University) ;
  • Choy, Hyon-Sook (Dept. of Fashion Design, Dongduk Women's University)
  • 발행 : 2006.12.31

초록

In present modern society, media contributes more to the constructing of personal identities than any other medium. Music video, a postmodernism branch among a variety of media, offers a complex experience of sounds combined with visual images. In particular. fashion in music video helps conveying contexts effectively and functions as a medium of immediate communication by visual effect. Considering the socio-cultural effects of music video. gender identity represented in fashion in it can be of great importance. Therefore, this study is geared to the reconsidering of gender identity represented through costumes in music video by analyzing fashions in it. Gender identity in socio-cultural category is classified as masculinity, femininity, and the third sex. By examining fashions based on the classification. this study will help to create new design concepts and to understand gender identity in fashion. The results of this study are as follows: First. masculinity in music video fashion was categorized into stereotyped masculinity, sexual masculinity. and metro sexual masculinity. Second, femininity in music video fashion was categorized into stereotyped femininity. sexual femininity, and contra sexual femininity. Third, the third sex in music video fashion was categorized into transvestism, masculinization of female, and feminization of male. This phenomenon is presented into music videos through females in male attire and males in female attire. Through this research, gender identity represented in fashion of music video was demonstrated, and the importance of the relationship between representation of identity through fashion and socio-cultural environment was reconfirmed.

키워드

참고문헌

  1. Cboy. Hyonsook (2000). A Study on Fashion Expressed in Traditional, Feminism, Postmodern Femininiry. Doctorare thesis, Seoul National University. p. 119
  2. Ddoe, Hee (2003). A Study on Man's Image in Music Video Fashion. Master's thesis, Sookmyung women's Univ., p. 13
  3. Kaplan E. Ann (1996). Rocking around the clock: music television, postmodernisrn and consummer culture. in How to Read music Video-Postmodern Images and Consumer Culture. Chae and Sung trans. Hannarae
  4. Kim, Gangsuk (1997) . A Study on Genre Calegorization and Charqacteristics of Image of Korean Music Video. Master's thesis, Seokang University, pp. 54-82
  5. Ryu, Kyungmin (2004) . A Study on Fashion in Music Video. Master's thesis, Hongik University, p. 2
  6. Jeong, Hana, Choy, Hyonsook (2005). A Study on the fashion in the Social Critical Music Video. Journal of Korean Fashion Design Association. 5, p. 42
  7. Wood, T. Julia (2006). trans by Han. Heejung, Life Imprisoned by Gender, seoul, Communication Books, pp. 28-29
  8. Lee, Minsun (2000). Aesthetic Images Expressed in Man's Body and Fashion. Doctorate thesis, Seoul National University, p. 50
  9. Lee, Minsun (2000). Aesthetic Images Expressed in Man's Body and Fashion. Doctorate thesis, Seoul National University, p. 8-10
  10. Naver Encyclopedia 2006
  11. Jung, Sehee (2000). Gender Identity in Movie Costumes., Master's thesis, Sookmyung Women's Univ., p. 54
  12. Yang, Heeyung, Yang, Sookhee (2000) . The Eclecticism trend in Late 20C Fashion. Journal of Korea Society of Clothing & Textiles. 14(4), p. 54
  13. Lee, Minsun (2000). Aesthetic Images Expressed in Man's Body and Fashion. Doctorate thesis, Seoul National University, p. 13
  14. Kim, Yoonjung (2000). A Study on Androgynous Trend in Contemporary Design: Master's thesis, Sookmyung Women's University, p. 39
  15. Jung, Sehee (2000). Gender Identity in Movie Costumes., Master's thesis, Sookmyung Women's Univ., p. 43
  16. Kim. Minja (2004) . Aesthetics of Fashion 1, Seoul. Gyomoonsa. p. 136