Journal of architectural history (건축역사연구)
- Volume 13 Issue 4 Serial No. 40
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- Pages.75-88
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- 2004
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- 1598-1142(pISSN)
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- 2383-9066(eISSN)
A Study on the Historical Meaning of the Pavilion for the Glass Industry in the German Werkbund Exhibition 1914 -Bruno Taut's Glashaus-
1914년 독일공작연맹 전시회 유리산업전시관의 근대건축사적 의미 -브루노 타우트(Bruno Taut)의 유리집(Glashaus)-
Abstract
The German Werkbund, which was founded in 1907, played an important role in the history of modern architecture. Its exhibition 1914 in Cologne is estimated as a meaningful event in the development of modern architecture. Especially two examples, among which were built at that time, are worthy of notice. The one is the 'Modelfactory' by Walter Gropius and the other 'Glashaus' by Bruno Taut. Generally in the Textbook on the history of modern architecture, the Taut's Glashaus is rarely mentioned or described as a early example of some expressionistic architecture, while the Modelfactory by Gropius is regarded as an essential workpiece in the early stage of modern movement. the time of searching alternative not only from rationalistic modernism but also postmodernism and today in the time of plurality, Taut's Glashaus could bring us more interesting and meaningful aspects in architectural design. Through investigating the background in the planning stage and analysing the composition of space, construction, circulation etc. it is to try to understand the building as really as what it was. Furthermore, historical meanings of the building in the modern architecture is reinterpreted in the following aspects; what should be reflected in architecture and how could 'Zeitgeist' be architecturally adopted?
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