참고문헌
- 대한예방한의학회지 v.4 no.1 생체 기의 파동공명적인 연구 현황 김경철;홍미숙
- 동의한의연 제4집 생체 기의 파동 자극과 수용에 대한 연구 김경철;이용태
- 음악과 한의학 임상연구실 편
- 교류교수연구논문 한국음악의 표현정신을 현대화하는 방법론적 연구 최인찬
동의생리병리학회지 (Journal of Physiology & Pathology in Korean Medicine)
- 제16권6호
- /
- Pages.1106-1109
- /
- 2002
- /
- 1738-7698(pISSN)
- /
- 2288-2529(eISSN)
오음 표준화를 위한 중국 '오음' 치료음악의 분석
Analysis on the Therapeutic Music of Chinese Five-sounds
- Ha Ki Jong (Department of Music, College of Arts and Physical Education, Dongeui University) ;
-
Lee Yong Tae
(Department of physiology, College of Oriental Medicine)
;
-
Kim Gyeong Cheol
(Department of physiology, College of Oriental Medicine)
- 발행 : 2002.12.01
초록
The analysis on the therapic music of chinese five-sounds studied in order to the stand ardization of the five-sounds. The results were as follows; The central sound of Gung(宮) becomes Do. This music goes on slow speed from first to last and appears the bright, quiet and stable mood. The central sound of Sang(商) becomes Re. This music mainly uses the brass and the fist appears the heavy feeling but gradually becomes ascending mood. The central sound of Kang(角) becomes Mi. This music mainly uses the wood-wind imstrument and appears the most light and vivid feeling. The central sound of Chi(徵) becomes Sol. All instruments sound grandly in the first part, and subsequently sound gentle. The central sound of Woo(羽) becomes La. This music appears dark and tragic mood that is generally used in the minor key. It is played slowly on the whole and appears lyrical feeling in the process of controlling and quiet. In the future, the study on diagnosis and therapy through the standardization of the five-sounds will be continued.