Acknowledgement
Supported by : 이화여자대학교
This study explores the concept of children as perceived in the late Chosun period by analyzing there sets of paintings on the panel screen, the Baekdongjado (the paintings of one hundred children at play). Although these paintings originated in China, there were many differences between Chinese and Korean paintings. Results of the analysis show that children were recognized as important members of the family by the late Chosun period, that parents hoped for many children, possibly sons, to fulfill each family, and that childhood meant the period of the youngster.
Supported by : 이화여자대학교